Presentations

• Speaker, “Post-Colonial Identities and the Dream of Universality at the United Nations” Iconoclasm to Heritage: Visual Culture and the Concept of World Heritage, Visual Studies Research Institute, University of Southern California. Invited Talk/Keynote, Presented, 08/27/2018.
• “’Altar to the God of All’: Architecture, Faith, and International Modernism at the United Nations,” in Processing Ecology: The Systematic Design of Environments after WWII, Society for Cinema and Media Studies Annual Conference . Conference Paper, Refereed, Presented, 03/14/2018.
  https://cdn.ymaws.com/www.cmstudies.org/resource/r...
• “Regionalism and Decolonization at the United Nations, 1952-1970” Regionalism in the Global Era, College Art Association Annual Conference, Los Angeles . Conference Paper, Refereed, Presented, 02/21/2018.
  http://conference2018.collegeart.org/programs/regi...
• “Compromise and Renewal: Recreating the Triadic Ballet for Television” Duet with the Camera: Dance and the Still and Moving Image, Universities Art Association of Canada Annual Conference, Banff. Conference Paper, Refereed, Presented, 10/14/2017.
  http://educationdocbox.com/Art_History/66989545-20...
• “Art at the United Nations: The Troubled Aesthetics of Utopian Modernism” The Role of the Visual Arts in North American 20th- and 21st- Century Cultural Diplomacy, Universities Art Association of Canada Annual Conference, Montreal. Conference Paper, Refereed, Presented, 10/2016.
• Broken Telephone: The Creative Potential of Signal Decay, Universities Art Association of Canada Annual Conference, Montreal, (October, 2016). Co-Chair with Andrew Kear. Presentation, Presented, 10/2016.
• “And We’re Live in 3...2...1...: How Television Shaped Art in the Late 20th Century”, in Improvisation in Contemporary Art: To Read Things Forward. At Universities Art Association of Canada Annual Conference, Halifax, November, 2015. Conference Paper, Refereed, Presented, 11/06/2015.
• College Art Association Session: Good Business is the Best Art: Corporate, Commercial and Business Models as Medium, co-chair with Virginia Solomon, CAA Annual Conference, February 2015. Presentation, Presented, 02/13/2015.

Publications

• Sarah Hollenberg (2019). The Wall of Respect: Public Art and Black Liberation in 1960s Chicago. CAA. Published, 09/30/2019.
  http://www.caareviews.org/reviews/3560
• Sarah Hollenberg (2018). Sensitive. Canadian Art. Published, 05/09/2018.
  https://canadianart.ca/features/dirty-words-sensit...
• "Strangely Ordinary This Devotion" in Blackflash magazine. Published, 01/2017.
  http://sheilahwilson.com/uploads/2016/BlackFlash_3...
• “Televisual Process: Bruce Nauman’s Flour Arrangements at KQED-TV” American Art Journal. Published, 08/2016.
  https://www.academia.edu/27570367/Televisual_Proce...
• "Sophie Calle: Unfinished" caa.reviews. Published, 11/05/2015.
  http://www.caareviews.org/reviews/2659
• “Bridget Moser’s Grammar” exhibition catalogue essay, in Bridget Moser: Is This Thing On? (Mount Saint Vincent University Art Gallery; Halifax, Nova Scotia, 2015), 9-21. Published, 05/2015.
  https://www.academia.edu/23450008/_Bridget_Mosers_...