JANE DAPHNE HATTER portrait
  • Assistant Professor, School Of Music
801-581-4824

Presentations

  • Fashioning an Enduring Musical Identity in Sound and Stone. Conference Paper, Refereed, Accepted, 03/22/2018.
    http://tinyurl.com/y93qd4k4
  • "Discipline-Specific Writing: Fine Arts," Office for Undergraduate Research, Undergraduate Research Education Series, University of Utah . Presentation, Presented, 10/17/2017.
  • "Fashioning an Enduring Musical Identity in Sound and Stone," Renaissance Society of America Conference, New Orleans . Conference Paper, Refereed, Accepted, 07/01/2017.
  • "Mistress Anne's Musical Identity: Women as Singers of Domestic Devotions," Renaissance Society of America Conference, Chicago . Conference Paper, Refereed, Presented, 03/31/2017.
  • "Memento mei: The Living and the Dead in Fifteenth-Century Music and Art." Fridays with Faculty lecture series at the University of Utah, School of Music. Presentation, Presented, 09/23/2016.
  • "Mistress Anne’s Musical Identity: Women as Singers of Domestic Devotion." Renaissance Society of America Conference, Chicago. Conference Paper, Refereed, Accepted, 09/15/2016.
  • “Memorial Practices: Connecting the Dead with the Living through Fifteenth-Century Music and Art.” Invited presentation in the fall colloquium series of the Medieval and Renaissance Studies Group at Brigham Young University, Provo. Invited Talk/Keynote, Accepted, 02/08/2016.
  • “Fridays with Faculty” lecture series at the University of Utah, School of Music: “Ut nos quos amabat: Building Community at Cambrai Cathedral Through Musical Devotions”. Presentation, Accepted, 12/07/2015.
  • Son corps est plaint et lamenté: Building Intergenerational Musical Community through Composition. Conference Paper, Refereed, Accepted, 12/01/2015.
  • Ut nos quos amabat: Building Community at Cambrai Cathedral Through Musical Devotions. Conference Paper, Refereed, Accepted, 12/01/2015.
  • "Anne Boleyn and Domestic Devotions: Did Women Sing Motets c. 1500?" at the one-day colloquium "Anne Boleyn`s Music Book and its Court Contexts," at the Centre for Reformation and Renaissance Studies, Victoria University in the University of Toronto. Invited Talk/Keynote, Presented, 09/25/2015.
    http://crrs.ca/event/anneboleyn/
  • “Fridays with Faculty” lecture series at the University of Utah, School of Music: "Anne Boleyn and Domestic Devotions: Did Women Sing Motets c. 1500?". Presentation, Presented, 09/18/2015.
  • "Resveillez vous: chantons l'air." Music lecture and workshop with Alexis Riesler, lute, and Zoey Cochran with the support of the Early Modern Conversions project and the Festival Montréal Baroque. Presentation, Presented, 07/28/2015.
  • "Illuminating the Soundscape of Women's Rituals, 1470-1560: Purification, Candles, and a Marian sequence" at the Annual Medieval-Renaissance Music Conference 2015 in Brussels. Conference Paper, Refereed, Presented, 07/08/2015.
  • "Plorer, gemir, crier: Musical Mourning and the Composer" presented at the joint meeting of the American Musicological Society and the Society for Music Theory 2014 in Milwaukee. Conference Paper, Refereed, Presented, 11/08/2014.

Publications

  • Jane Hatter (2018). Composing Community through Musical Self-Reference in Late Medieval Europe. (pp. 300). Cambridge University Press. Accepted, 02/02/2018.
  • "Converting the Virgin: Converting the Soundscape of Women's Rituals Across the Confessional Divide, 1500-1570." In Conversions: Gender and Religious Change in Early Modern Europe, ed. by Simon Ditchfield and Helen Smith. Manchester: University of Manchester Press, 2017. Published, 01/01/2017.
  • Review of Michael Alan Anderson, St. Anne in Renaissance Music: Devotion and Politics (New York: Cambridge University Press, 2014) Speculum 90 (October, 2015), 1079 - 1080. Published, 10/01/2015.
  • “Reflecting on the Rosary: Marian Devotions in Early Sixteenth-Century Motets.” In On the Relationship of Imitation and Text Treatment? The Motet around 1500, edited by Thomas Schmidt-Beste, 477-500. Collection Epitome Musical. Turnhout: Brepols, 2012. Published, 10/01/2012.
  • Col tempo: Musical Time, Aging, and Sexuality in Sixteenth-Century Venetian Paintings." Early Music 39 (February, 2011): 3-14. Published, 02/01/2011.