Presentations

• Discussant on “Archival Research in the 21st Century: Skills and Resources” session organized by the AMS Skills and Resources for Early Musics Study Group Annual Meeting of the American Musicological Society, New Orleans, November 12 . Conference Paper, Presented, 11/12/2022.
• “Musical Time, Sexuality, and Mortality in Two Diptychs by Hans Baldung Grien” Annual Meeting of the American Musicological Society, Minneapolis [change to virtual conference], November 7-8 and 14-15 . Conference Paper, Refereed, Presented, 11/15/2020.
  https://amsminneapolis2020.dryfta.com/program
• “Musical Time, Sexuality, and Mortality in Two Diptychs by Hans Baldung Grien” in the “Fridays with Faculty” lecture series at the University of Utah, School of Music, Oct. 9th . Presentation, Presented, 10/09/2020.
• “Musical Time as Sexuality and Mortality in Two Diptychs by Hans Baldung Grien” given at the “Power Couples: The Pendant Format in Art,” International Symposium at the Utah Museum of Fine Arts. Conference Paper, Presented, 10/04/2019.
• "Understanding the Tools of the Trade: Self-Reference in Fifteenth-century Music and Art." This was an invited talk that was part of the Utah State University Visiting Scholar Series and was given with 50-60 attendees. Invited Talk/Keynote, Presented, 09/20/2019.
• "Puns as Prayers in Late-Medieval Music" given at the Medieval-Renaissance Music Conference in Basel, Switzerland. Conference Paper, Refereed, Presented, 07/03/2019.
• "Constructed Tenor, Constructing the Composer, c. 1500" given at the 25th Annual Arizona Center for Medieval and Renaissance Studies and Medieval Association of the Pacific Joint Conference. Conference Paper, Refereed, Presented, 02/09/2019.
• “How do you solve a problem like la mi la? Or Puns as Prayers in Late-Medieval Music” presented as part of the Musicology Colloquium series at Arizona State University. Invited Talk/Keynote, Presented, 02/08/2019.
• “Referencing Pedagogy, Celebrating Community: Du Fay’s Musicians’ Motets for Cambrai Cathedral,” accepted by and presented at the Annual Meeting of the American Musicological Society, San Antonio. Conference Paper, Refereed, Presented, 11/04/2018.
• “Referencing Pedagogy, Celebrating Community: Du Fay’s Musicians’ Motets for Cambrai Cathedral” presented as part of the “Fridays with Faculty” lecture series at the University of Utah, School of Music. Presentation, Presented, 10/19/2018.
• “How do you solve a problem like la mi la? Or Puns as Prayers in Late-Medieval Music.” Musicology Colloquium Series, Beinen School of Music, Northwestern University . Invited Talk/Keynote, Presented, 10/11/2018.
• “Mistress Anne’s Musical Identity: Women as Singers of Domestic Devotions" presented at the Biannual meeting of the North American British Musical Studies Association in Logan, Utah. Conference Paper, Refereed, Presented, 07/31/2018.
• “Fashioning an Enduring Musical Identity in Sound and Stone” presented at the Renaissance Society of America Conference, New Orleans. Conference Paper, Refereed, Presented, 03/22/2018.
• Organizer for "Sight, Sound, and Self in Fifteenth- and Sixteenth-Century Commemorations," a series of 3 linked interdisciplinary panels accepted by and presented at the Renaissance Society of America Conference, New Orleans. Other, Presented, 03/22/2018.
• "Discipline-Specific Writing: Fine Arts," Office for Undergraduate Research, Undergraduate Research Education Series, University of Utah . Presentation, Presented, 10/17/2017.
• "Fashioning an Enduring Musical Identity in Sound and Stone," Renaissance Society of America Conference, New Orleans . Conference Paper, Refereed, Accepted, 07/01/2017.
• "Mistress Anne's Musical Identity: Women as Singers of Domestic Devotions," Renaissance Society of America Conference, Chicago . Conference Paper, Refereed, Presented, 03/31/2017.
• "Memento mei: The Living and the Dead in Fifteenth-Century Music and Art." Fridays with Faculty lecture series at the University of Utah, School of Music. Presentation, Presented, 09/23/2016.
• "Mistress Anne’s Musical Identity: Women as Singers of Domestic Devotion." Renaissance Society of America Conference, Chicago. Conference Paper, Refereed, Accepted, 09/15/2016.
• “Memorial Practices: Connecting the Dead with the Living through Fifteenth-Century Music and Art.” Invited presentation in the fall colloquium series of the Medieval and Renaissance Studies Group at Brigham Young University, Provo. Invited Talk/Keynote, Presented, 02/08/2016.
• “Fridays with Faculty” lecture series at the University of Utah, School of Music: “Ut nos quos amabat: Building Community at Cambrai Cathedral Through Musical Devotions”. Presentation, Presented, 12/07/2015.
• Son corps est plaint et lamenté: Building Intergenerational Musical Community through Composition. Conference Paper, Refereed, Accepted, 12/01/2015.
• Ut nos quos amabat: Building Community at Cambrai Cathedral Through Musical Devotions. Conference Paper, Refereed, Accepted, 12/01/2015.
• "Anne Boleyn and Domestic Devotions: Did Women Sing Motets c. 1500?" at the one-day colloquium "Anne Boleyn`s Music Book and its Court Contexts," at the Centre for Reformation and Renaissance Studies, Victoria University in the University of Toronto. Invited Talk/Keynote, Presented, 09/25/2015.
  http://crrs.ca/event/anneboleyn/
• “Fridays with Faculty” lecture series at the University of Utah, School of Music: "Anne Boleyn and Domestic Devotions: Did Women Sing Motets c. 1500?". Presentation, Presented, 09/18/2015.
• "Resveillez vous: chantons l'air." Music lecture and workshop with Alexis Riesler, lute, and Zoey Cochran with the support of the Early Modern Conversions project and the Festival Montréal Baroque. Presentation, Presented, 07/28/2015.
• "Illuminating the Soundscape of Women's Rituals, 1470-1560: Purification, Candles, and a Marian sequence" at the Annual Medieval-Renaissance Music Conference 2015 in Brussels. Conference Paper, Refereed, Presented, 07/08/2015.
• "Plorer, gemir, crier: Musical Mourning and the Composer" presented at the joint meeting of the American Musicological Society and the Society for Music Theory 2014 in Milwaukee. Conference Paper, Refereed, Presented, 11/08/2014.

Publications

• Jane Hatter (2021). Review of Daniele V. Filippi and Agnes Pavanello, eds., Motet Cycles between Devotion and Liturgy (Basel: Schwabe Verlag, 2019). (pp. 445-446). Vol. 49. Early Music published by Oxford University Press. Published, 10/07/2021.
  https://doi.org/10.1093/em/caab057
• Jane D. Hatter (2021). Josquin and the Virgin Mary: Publishing Marian Motets for Protestant Singers. Die Tonkunst. Vol. 15, 45-52. Published, 01/15/2021.
  http://die-tonkunst.de/index.php/redaktion/ausgabe...
• Jane D. Hatter (2020). Fashioning an Enduring Musical Identity in Sound and Stone. Early Music. Vol. 47, 1-14. Published, 10/07/2020.
  https://doi.org/10.1093/em/caaa065
• Jane Hatter (2020). Early Music Matters: Revitalizing the Survey through a Contextual Approach. College Music Symposium. Vol. 60. Published, 09/20/2020.
  https://doi.org/10.18177/sym.2020.60.sr.11496
• Jane Hatter (2019). Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and Practice. (pp. 300). Cambridge University Press. Published, 05/01/2019.
  https://www.cambridge.org/core/books/composing-com...
• "Converting the Virgin: Converting the Soundscape of Women's Rituals Across the Confessional Divide, 1500-1570." In Conversions: Gender and Religious Change in Early Modern Europe, ed. by Simon Ditchfield and Helen Smith. Manchester: University of Manchester Press, 2017. Published, 01/01/2017.
• Review of Michael Alan Anderson, St. Anne in Renaissance Music: Devotion and Politics (New York: Cambridge University Press, 2014) Speculum 90 (October, 2015), 1079 - 1080. Published, 10/01/2015.
• “Reflecting on the Rosary: Marian Devotions in Early Sixteenth-Century Motets.” In On the Relationship of Imitation and Text Treatment? The Motet around 1500, edited by Thomas Schmidt-Beste, 477-500. Collection Epitome Musical. Turnhout: Brepols, 2012. Published, 10/01/2012.
• “Col tempo: Musical Time, Aging, and Sexuality in Sixteenth-Century Venetian Paintings." Early Music 39 (February, 2011): 3-14. Published, 02/01/2011.