Research Statement

As an academic, I'm known largely for my scholarly works, writings, and also for my work in the field -- specifically, going into diverse communities and working with children, making art, promoting dialogue and healing. What's fueling my classroom, conference, and social actions, however, is a very personal and highly material-based studio practice: one in which I internalize the outside forces and inner beliefs that guide me, and transform them into objects. Professors are also practitioners; artists are also activists. I make art because I am compelled to: a reason that I've always felt was the best motivation for creating new forms. Change—affecting it personally, and socially—is very important to me. Often, I look to ancient sources as my guide for this, in part because they hearken from a time more comfortable with notions of Transformation. I've gone to Bethlehem to glean wood from holy sites and used it to create staffs; I've compounded anointing oil based on the exact components (cassia, myrrh, cinnamon) as laid down in the book of Exodus, and offered it up in hand-blown glass dispensers to exhibition visitors—allowing them to anoint themselves as they see fit. I've made reliquaries of bronze (a material thought to have powerful "memorializing" qualities), and copper (for its "conduit"-like properties between the spirit and material worlds). Modern inventions like the sewing machine, and familiar office-tools like rolling casters, make their way into my sculptures as well. But at their root, these are forms that embody the sort of ineffable sense of 'shift' and internal re-orientation that I seek. Many of the pieces are small enough to carry on one’s person, and its only in close view that you'll truly get as sense of their presence: the rust on the metal tip of a staff; the hollow crab shells inside a hand-shaped reliquary; the touch of oil-rubbed wood. The tactile is a Formal response to the notion of the personal; materials are latent with message. Hence, I've spent a lot of time researching just what it is they might be trying to tell us; I've learned about early Jewish practices previously kept secret, of mysticism and magic—to the point where my studio practice can almost seem to border on the anthropological. That's an admixture with which I feel comfortable. I many ways I'm a visual archeologist, unearthing fragments of the past, digging up metaphor and parable that I then site into a personal narrative. The only way I can advocate change for Others is to begin with my own practice, put my own self and beliefs on the line. Viewers often respond with intense catharsis to these works, and I welcome that. Through the gentle power of shared emotion, darkness is exposed, and healing is brought to light.

Creative Research

  • Beth Krensky and Ben Altman: United States Holocaust Museum Companion Exhibition, Granary Arts, Ephraim, Utah Exhibition, scheduled 2023.
  • Solo exhibition Beth Krensky: Between Spirit and Matter, Yale Institute of Sacred Music, Yale University, New Haven, Connecticut, July-December Exhibition, scheduled 2022.
  • New Directions, Novi Hram Gallery, Sarajevo Winter Festival, Sarajevo, Bosnia/Herzegovena Exhibition, in progress 2022.
  • Without Borders, Art Spot Korin, Kyoto, Japan Exhibition, completed 2021.
  • Depictions of Divinity, Springville Museum of Art, Springville, Utah Exhibition, completed 2021.
  • Uncanny Times: Looking Back, Looking Forward, Seidel City, Boulder, Colorado Exhibition, completed 2021.
  • Space Maker, Utah Museum of Fine Arts, Salt Lake City, Utah Exhibition, completed 2021.
  • Without Borders, Elysium Gallery, Swansea, Wales Exhibition, completed 2021.
    https://www.elysiumgallery.com/events/event/withou...
  • Breaking Labyrinths: A Collage + Walking + Video Project New Mexico School of Art and Design, Santa Fe, NM, May Wirral Met Gallery, Birkenhead, England, May Vestige Concept Gallery, Pittsburg, PA, May Exhibition, completed 2021.
    https://breakinglabyrinths.com/
  • My City: Life During the Coronavirus, RedLine Contemporary Art Center, Denver, CO, Exhibition, completed 2021.
    https://mycity2020.art/
  • Jerusalem Between Heaven and Earth, Virtual Exhibition, Charter Oak Cultural Center, Hartford, Connecticut, November 2020-January 2021 Exhibition, completed 2020.
    https://charteroakcenter.org/event/virtual-art-exh...
  • Loss, Virtual Exhibition, Woman Made Gallery, Chicago, Illinois Exhibition, completed 2020.
    https://womanmade.org/artwork/loss-a-virtual-exhib...
  • Connections, House of Culture, Arauca, Colombia, August Exhibition, completed 2020.
  • My City, Virtual Exhibition, Museum of Natural History Sarajevo, Sarajevo, Bosnia/Herzegovena Exhibition, completed 2020.
    http://existence2020.com/mycityredline/beth-krensk...
  • The Walls Between Us (Curator: Cecily Cullen), Center for Visual Art, Metropolitan State University of Denver, Denver, Colorado, August-October Exhibition, completed 2020.
    https://www.dariamag.com/home/the-walls-between-us
  • Globalocation II, Morris Graves Museum, Eureka, California, July-August Exhibition, completed 2020.
  • Person and the Otherness of Nature, International Virtual Exhibition, Pragmata Collective, London, July-August Exhibition, completed 2020.
    https://personandtheothernessofnature.co.uk/
  • Rocky Mountain Biennial (Juror: Leah Ollman), Museum of Art Fort Collins, Fort Collins, Colorado, July-September Exhibition, completed 2020.
  • Dispatch from Solitude #1: Walking the Unknown Path, Solo Performance, Social Distancing & Art Virtual Series, Ogden Contemporary Arts, Ogden, Utah Performance, completed 2020.
    https://www.facebook.com/ogdenfirst.org/videos/273...
  • Connections, National University of Colombia, Leticia, Amazonas, Colombia, June Exhibition, completed 2020.
  • The Space Between Us, Site Specific Virtual Exhibition, Salt Lake City, Utah, June- October Exhibition, completed 2020.
    https://sitessetforknowledge.org/2020/05/26/the-sp...
  • Connections, Guayupe Gallery, Villavicencio, Colombia, March-April Exhibition, completed 2020.
  • Globalocation II, University of North Carolina at Pembroke, Pembroke, North Carolina, February Exhibition, completed 2020.
  • My Country: Dreams and/or Reality Traveling Exhibition with 3 sites 1. Brodac Gallery, Sarajevo, Bosnia 2. Gallery of the Academy of Fine Arts Sarajevo, The Academy of Fine Arts Sarajevo, Sarajevo, Bosnia 3. Historical Museum of Bosnia and Herzegovina, Sarajevo, Bosnia, February Exhibition, completed 2020.
  • Connections, Artificum Gallery, Villaviciencio, Colombia, January-February Exhibition, completed 2020.
  • Three pieces of my work were added to the "George Rivera Archive" as part of the Nettie Lee Benson Latin American Collection at the University of Texas-Austin, Austin, Texas. Other, completed 2019.
  • (Dis)content, Universidad de Los Llanos in Villaviciencio, Colombia Exhibition, completed 2019.
  • Turning Points, Royal University of Fine Arts, Phnom Pen, Cambodia Exhibition, completed 2019.
  • Connections, Universidad de Los Llanos, Biblioteca Jorge Boshell Manrique, Villavicencio, Meta Colombia Exhibition, completed 2019.
  • Alfred Lambourne Prize Exhibition, Sorenson Community Blackbox Theatre, Salt Lake City, Utah Exhibition, completed 2019.
  • Invictus, Makerere University Art Gallery, Kampala, Uganda Exhibition, completed 2019.
  • Invictus, Global Livingston Institute, Entusi, Uganda Exhibition, completed 2019.
  • My piece "Journey" was acquired by the Springville Museum of Art. Other, completed 2019.
  • Bodies in Motion, Millepiani, Rome, Italy Exhibition, completed 2019.
    https://www.loosenart.com/pages/news-bodies-in-mov...
  • (Dis)content, Historical Museum of Bosnia and Herzegovina, Sarajevo, Bosnia and Herzegovina Exhibition, completed 2019.
  • Utah’s 15: The State’s Most Influential Artists, Rio Gallery, Salt Lake City, Utah Exhibition, completed 2019.
  • Genesis, Dab Art, Online Exhibition Exhibition, completed 2019.
    https://www.dabart.me/
  • Wounds, Dar al-Kalima University College of Arts and Culture, Bethlehem, Palestine Exhibition, completed 2018.
  • Site Lines: Recent Work by U of U Faculty, Utah Museum of Fine Arts, Salt Lake City, Utah, September 2018-January 2019 Exhibition, completed 2018.
  • Connections, European House, Zagreb, Croatia Exhibition, completed 2018.
  • Hegira & Other Passages, Gradska Galerija, Bihac, Bosnia Exhibition, completed 2018.
  • Alfred Lambourne Prize Exhibition (Winner: Movement), Sorensen Unity Center, Salt Lake City, Utah Exhibition, completed 2018.
  • Roots and Branches, Springville Museum of Art, Springville, Utah, , June-November Exhibition, completed 2018.
  • Liminal Space, DMZ Museum, Gangwon-do, South Korea, June-December Exhibition, completed 2018.
  • American Art in The New Millenium El Barrio La Madrid, Villavicencio, Meta, Colombias Bilblioteca Del Municipio de Taraira, Vaupes Colombia Comunidad Indigena Cubeo Salón Departmental de Arte Visuakes del Meta Villavicencio, Meta, Colombia Salón, Universidad de Los Llanos Departmental de Arte, Villavicencio, Colombia, Salón Departmental de Arte, Acacias, Meta, Colombia Galería Artificio, Villavicencio, Meta, Colombia Exhibition, completed 2018.
  • Jerusalem Between Heaven and Earth (Curator: Ori Z. Soltes), Derfner Judaica Museum, Bronx, NY, January-March Exhibition, completed 2018.
  • Sacred Spaces: Archetypes and Symbols, Springville Museum of Art, Springville, UT, October-January 2018 Exhibition, completed 2017.
  • 3rd Jerusalem Biennale (Curator: Ori Z. Soltes), Jerusalem, Israel, October-November Exhibition, completed 2017.
  • Far From the Front Lines, Evanston Art Center, Evanston, Illinois, September Exhibition, completed 2017.
  • Contemporary Landscape, CICA Museum (Curator: Leejin Kim), Gimpo, South Korea Exhibition, completed 2017.
  • Science Inspires Art: Biodiversity/Extinction, Silva Gallery, The Pennington School, Pennington, New Jersey Exhibition, completed 2017.
  • Meta Journey The Historical Museum, Sarajevo, Bosnia and Herzegovina, February Art Gallery Bihac (UMJETNIČKA GALERIJA BIHAĆ), Bihac, Bosnia-Herzegovina, February Exhibition, completed 2017.
  • Collect: Recent Acquisitions from the State of Utah Fine Art Collection & Salt Lake County Art Collection, Alice Gallery, Salt Lake City, UT Exhibition, completed 2017.
  • Co-created piece (with Marnie Powers-Torrey) in group exhibition: Collect: Recent Acquisitions from the State of Utah Fine Art Collection & Salt Lake County Art Collection, Alice Gallery, Salt Lake City, UT, January-March Souvenir: A travelling exhibit of work by members of the Rocky Mountain Chapter of the Guild of Book Workers, in collaboration with Marnie Powers-Torrey Harold B. Lee Library, Brigham Young University, Provo, UT, Jan.-March Denver Public Library, Denver, CO, April-June University of Wyoming, Laramie, WY, July-Sept. Exhibition, completed 2017.
  • Globalocation Nettie Lee Benson Latin American Collection, The University of Texas at Austin, Austin, Texas, March-June Marriott Library, University of Utah, Salt Lake City, Utah, Jan.-March Rosemary Duffy Larson Gallery, Broward College, Davie, Florida, November- January, 2018 Exhibition, completed 2017.
  • Globalocation, RedLine, Denver, Colorado, November-December Exhibition, completed 2016.
  • Rally ‘Round the Flag of Justice (Curator: Linda Weintraub), RedLine, Denver, Colorado, November-December Exhibition, completed 2016.
  • Visualizing Peace Evento Cultural Proyecto Comunidad, Barrio Macatoa, Granada, Colombia, November Evento Cultural Proyecto Comunidad, Barrio Sabana, Granada, Colombia, November Colegio Artistico Normal Superior, Acacias, Colombia, October Evento Cultural Proyecto Comunidad, Barrio la Madrid, Villaviciencio, Colombia Biblioteca Sede Barcelona, Universidad de los Llanos, Villaviciencio, Colombia Winter Festival Sarajevo, Museum of Natural History Sarajevo, Sarajevo, Bosnia/Herzegovena, February Exhibition, completed 2016.
  • Souvenir, in collaboration with Marnie Powers-Torrey Phoenix Public Library, Oct.-Dec Exhibition, completed 2016.
  • Social Justice: It Happens to One, It Happens to All, St. Mary’s College Museum of Art, Moraga, California, September-December Exhibition, completed 2016.
  • On the Edge of Your Seat: Chairs for the 21st Century, The Center for Art in Wood (Jurors: Nora Atkinson, Lloyd Herman Curator of Craft, Smithsonian American Art Museum; Jasper Brinton, Principal, Brinton Design; Benjamin Colman, Associate Curator of American Art, Detroit Institute of Arts; Susie J. Silbert, Curator of Modern and Contemporary Glass, Corning Museum of Glass), Philadelphia, PA May-July Exhibition, completed 2016.
  • Zeitgeist Greatmore Studios, Capetown, South Africa, July Harare Academy of Inspiration, Khayelitsha, Capetown, South Africa, July Exhibition, completed 2016.
  • Art & Resistance, Exhibition Gallery, Dar Al-Kalima University College of Arts and Culture, Bethlehem, Palestine, May Exhibition, completed 2016.
  • The Painted Veil (Curator: Jorge Rojas), Rio Gallery, Salt Lake City, Utah, May-July Exhibition, completed 2016.
  • Where Do We Come From? What Are We? Where Are We Going?, Winter Festival Sarajevo, Museum of Natural History Sarajevo, Sarajevo, Bosnia/Herzegovena, February Exhibition, completed 2016.
  • Soul Drift: Visualizations of a Cultural Phenomenon, Winter Festival Sarajevo, Museum of Natural History Sarajevo, Sarajevo, Bosnia/Herzegovena, February Exhibition, completed 2016.
  • Solo Exhibition: Portable Sanctuaries, CCA Christensen Gallery, Granary Art Center, Ephraim, Utah, February-April Exhibition, completed 2016.
  • Visualizing Peace, Galleriji Alu, Academy of Fine Arts, Sarajevo, Bosnia, November Exhibition, completed 2015.
  • Biodiversity/Extinction, New York Hall of Science, New York City, New York, October-February 2016 Exhibition, in progress 2015.
  • Diaspora of Being, International Center of Bethlehem, Bethlehem, Palestine, August Exhibition, completed 2015.
  • Identity (Identidad En Circulacion), http://www.identidadencirculacion.com Teatro La Voragine, Sala de Exposiciones, Villavicencio, Meta, Colombia Universidad de Los Llanos – Sede San Antonio, Villavicencio, Meta, Colombia Escuela Normal Superior de Acacias, Villavicencio, Meta, Colombia Escuela Normal Superior de Acacias, Acacias, Meta, Colombia Casa de la Cultura, Hall de Exposiciones, Granada, Meta, Colombia Parque Central Rafael Reyes, Restrepo, Meta, Colombia Universidad Nacional de Colombia, Hall de Exposicions, Leticia, Colombia Fundacion AMAZARTE, Leticia, Amazonas, Colombia Alcaldia, Sala Exposiciones, Puerto Narino, Amazonas, Colombia Gobernacion del Guaviare, Sala Exposiciones – Centro Cultural, San Jose del Guaviare, Guaviare, Colombia Casa de la Cultura, Yopal, Casanare, Colombia Biblioteca Publica, Mitu, Vaupes, Colombia Casa de la Cultura, Inirida, Museo Comunitario de Guainia, Puerto Inirida, Guaninia, Colombia Casa de la Cultura, Saravena, Vichada, Colombia Biblioteca Publica, Tame, Arauca, Colombia Casa de la Cultura, sala de Exposiciones, Arauca, Arauca, Colombia Exhibition, completed 2015.
  • Re: Visioning the West, University Art Gallery Banner Project, New Mexico State University, Las Cruces, New Mexico, May-August Exhibition, completed 2015.
  • Identity, Place and Memory (Arte Norteamericano: Identidad, Lugar y Memoria), Bogota Arte Contemporaneo Gallery, Bogota, Colombia, March Exhibition, completed 2015.
  • Collective Experience, Rio Gallery, Salt Lake City, Utah, March-April Exhibition, completed 2015.
  • Where Do We Come From? What Are We? Where Are We Going? Academy of Fine Arts, Sarjevo, Bosnia and Herzegovina, February Galerija ALU, Sarajevo, Bosnia and Herzegovina, February Exhibition, completed 2015.
  • Religious and Spiritual Art of Utah (Honorable Mention), Springville Museum of Art, Springville, Utah Exhibition, completed 2014.
  • Where Do We Come From? What Are We? Where Are We Going?, Galerija Atelje Kunik, Center for Peacebuilding, Sanski Most, Bosnia and Herzogovina Exhibition, completed 2014.
  • New Narratives: Recent Work by U of U Art Faculty, Utah Museum of Fine Arts, Salt Lake City, Utah Exhibition, completed 2014.
  • Memory Remains, Galeria Aguafuerte, Mexico City, Mexico Exhibition, completed 2014.
  • Movement and Meaning: The Power of Pilgrimage (Featured Artist), B. F. Larsen Gallery, Brigham Young University, Provo, Utah Exhibition, completed 2014.
  • Readymade@100, American University Museum at the Katzen Art Center, Washington, DC Exhibition, completed 2014.
  • Art as Catalyst, Center for Global Justice, San Miguel de Allende, Mexico Exhibition, completed 2014.
  • Art & Poetics Mahmoud Darwish Museum, Ramallah, Palestinian Territories, August Dar al-Kalima University College of Arts and Culture, Bethlehem, Palestine, August-September Exhibition, completed 2014.
  • 30 Years at Finch Lane: A Retrospective, Finch Lane Gallery, Salt Lake City, Utah Exhibition, completed 2014.
  • Windows to the Divine, ArtHaus, Denver, Colorado Exhibition, completed 2014.
  • Identity University of the Andes, Bogota, Colombia Thirteen venues in the Colombian Amazon, including: Sala de Exposiciones de CORCUNVI / en la Casa de la Cultura, Meta Villavicencio Biblioteca Pública / Colegio Publico Agropecuario de Puerto Lopéz, Meta Puerto Lopez Biblioteca Pública / Colegio Publico Normal Superior Acacias, Meta Acacias Casa de la Cultura / Biblioteca Pública, Meta Granada Casa de la Cultura, Biblioteca Pública / Sena, Vaupes Mitú Universidad Nacional de Colombia / Area Cultural Banco de la Republica, Amazonas Leticia Sala de Exposiciones de la Gobernación, San José del Guaviare Alcadía o Biblioteca pública municipal, Arauca Colegio Público, Arauca Tame Casa de la Cultura / Biblioteca Pública, Arauca Saravena Asociacion plenilunio, Casa de la Cultura, Biblioteca, Casanare Yopal Museo Comunitario / Casa de la Cultura, Guainia Puerto Inirida Exhibition, completed 2014.
  • Only Light, Rio Gallery, Salt Lake City, Utah Exhibition, completed 2014.
  • Home/Land, Dar al-Kalima College, Bethlehem, Palestine Exhibition, completed 2013.
  • Sin and Salvation on-line exhibition, Sh’ma: A Journal of Jewish Ideas, August, 2013, Exhibition, completed 2013.
  • A Better World, Eighth International Conference on the Arts in Society, Eotvos Lorand University, Golyavar Conference Center, Budapest, Hungary Exhibition, completed 2013.
  • Portas Abertas/Open Doors, (Curator: Claudia Giannetti), Fórum Eugénio de Almeida, Évora, Portugal Exhibition, completed 2013.
  • A Better Society (Public Billboard at Metro Stops), Budapest, Hungary ELTE University: V. district , University square 1-3. Citylight:V. district Deák square 9 bus endstation V. district Széchenyi square 2 tram station V. district Deák square, 47-49 tram endstation V. district, Astoria , 9 bus station V.district Jászai Mari square, 4-6 tram station V. district, Fővám square, 47-49 tram station Other, completed 2013.
  • Diptych America: Private Spaces/Public Places, Central Academy of Fine Arts (CAFA), Beijing, China Exhibition, completed 2013.
  • Place/Lugar This exhibition, which was sponsored by the Colombian Ministry of Culture, will travel to the following venues in Colombian Amazon (along the border with Venezuela and Brazil): Biblioteca Publica Muncipal, Taraira, Departamento de Vaupes, Colombia April 24-30 Museo comunitario del Guaini, Puerto Inirida, Departamento de Guainia, Colombia, June 15-30 Casa de la Cultura, Mitu, Departamento de Vaupes, Colombia, August 30 - September Biblioteca Publica Muncipal, Arauca, Departamento de Arauca, Colombia October 15 - October 30 Biblioteca Publica Muncipal, Vichada, Departamento de Santa Rosalia, Colombia November 18 – November 29 Exhibition, completed 2013.
  • The Herb & Dorothy Show, Nox Contemporary, Salt Lake City, Utah, November-December Exhibition, completed 2012.
  • Memory Remains, Museo de la Autonomia Universitaria, Mexico City, Mexico, October-November Exhibition, completed 2012.
  • Death Is…, Public Projection KGNU Radio Station Façade, Denver, Colorado, November Museo de la Autonomia Universitaria, Patio Principal Centro Historico, Mexico City, October-November Other, completed 2012.
  • Mixta, Universidad de los Llanos, Villavicencio, Colombia Exhibition, completed 2012.
  • Portable Sanctuary #1, Solo Performance, Tooele, Utah Performance, completed 2012.
  • Metaphysical Handcart, Solo Performance, Bonneville Salt Flats, Tooele County, Utah Performance, completed 2012.
  • Amulets, Nazars & Evil Eyes: Artists Looking Forward, Queens College Art Center, Flushing, NY, May-June Exhibition, completed 2012.
  • Mixed Messages This exhibition, which was sponsored by the Colombian Ministry of Culture, traveled to the following 15 towns in Colombia that are located along the Amazon River. In each town and state, the exhibition was taken to other locations of tribal groups along tributaries of the Amazon River located near the towns. These other places do not have names. The art was exhibited in the tribal communal house, which is considered a sacred place to conduct tribal affairs. Universidad de los Llanos, Villavicendo, Colombia Universidad de los Llanos, San Martin, Meta, Colombia Universidad de los Llanos, Cabuyaro, Meta, Colombia Parque principal, Villavicencio, Meta, Colombia Corcunvi, Villavicencio, Meta, Colombia Parque principal, Granada, Meta, Colombia Parque Concha Acusstica, San Martin de los Llanos, Meta, Colombia Parque principal, Acacias, Meta, Colombia Parque principal, Cabuyaro, Meta, Colombia Parque principal, Barranca de Upia, Meta, Colombia Parque principal, San Jose del Guaviare, Guaviare, Colombia Parque principal, Aguazul, Casanare, Colombia Parque principal, Tame, Arauca, Colombia Taller de Arte, Saravena, Arauca, Colombia Piazoleta Alcaldia, Arauca, Arauca, Colombia Exhibition, in progress 2012.
  • The Faculty Show: Recent Work by the U of U Art Faculty, Utah Museum of Fine Arts, January-May Exhibition, completed 2012.
  • Art and Displacement, Art Gallery, Higher Education and Research Building, Mureir Mountain, Bethlehem, Palestine Exhibition, completed 2012.
  • The Ecological Imperative, Museo Contemporáneo, Valdivia, Chile, catalogue essay by Suzi Gablik, January-March Exhibition, completed 2012.
  • Memory Remains, Casa de las Ciencias, Universidad Autónoma del Estado de Morelos, Cuernavaca, Morelos, Mexico Exhibition, completed 2011.
  • Reaction and Healing: The Tenth Anniversary of 9-11, Pennsylvania State University-Lehigh Valley, Center Valley, Pennsylvania Exhibition, completed 2011.
  • Horror, Terror & Death The Museum of Edgar Allan Poe, Richmond, Virginia, September Galería Antonio Ramírez, Escuela Nacional de Artes Plasticas, Xochimilco, Mexico City Casa de la Cultura Oaxaqueña, Oaxaca, Mexico Academia de San Carlos, Escuela Nacional de Artes Plasticas, Universidad Nacional Autonoma de Mexico, Mexico City, Mexico Exhibition, completed 2011.
  • Mixta La Casa de la Cultura de la Gobernacion, Inirida, Colombia Fondo Mixto de Guainia, Departmento de Guaninia, Region Amazonica, Guainia, Colombia (16 Indigenous villages along the Rio Guainia) Exhibition, completed 2011.
  • Ernesto Pujol-Walking Ground, Contemporary Museum Honolulu, Honolulu, Hawaii, May-August Exhibition, completed 2011.
  • AZAG/GAZA: Mirroring War, Al Kahf Gallery, Bethlehem, Palestine Exhibition, completed 2011.
  • SOLO EXHIBITION Beth Krensky: Portable Sanctuaries, Salt Lake Arts Council Finch Lane Gallery, Salt Lake City, Utah, May Exhibition, completed 2011.
  • SOLO EXHIBITION Beth Krensky: Portable Sanctuaries, Salt Lake Arts Council Finch Lane Gallery, Salt Lake City, Utah, May Exhibition, completed 2011.
  • ART & DIS(PLACE)MENT Al Kahf Gallery, International Center of Bethlehem, Bethlehem, Palestine Dar al-Kalima College, Bethlehem, Palestine Exhibition, completed 2011.
  • SOLO EXHIBITION/PERFORMANCE Beth Krensky: Portable Sanctuary #3, 3///3: Three Walls on Wednesdays, Athens, Greece, March , , Exhibition, completed 2011.
  • 4,000 Year Road Trip: Gathering Sparks, Mizel Museum, Denver, Colorado, permanent exhibition Exhibition, in progress 2011.
  • Mixed Messages Galeria De Artes/CAUA, Universidade Federal Do Amazonas, Manaus, Amazonas, Brazil Universidad Nacional de Colombia, Bogota, Colombia Casa de la Cultura de la Gobernacion, Departamento de Guania, Región Amazonica, Inírida, Guainía Biblioteca del Banco de la Republica, Leticia, Colombia Exhibition, completed 2011.
  • Death/La Muerte: Art from the United States Galeria ESCOOL, Colonia Roma Norte, Mexico Don Apolonio Presenta, Cholula, Puebla, Mexico Exhibition, completed 2010.
  • Signs, Signifiers and the Signified Alcaldía de Funza, Central Cultural de Funza, Cundinamarca, Colombia Universidad de Estudios Adminitrativos y de Negocios, Bogota, Colombia Universidad Nacional de Bogota, Bogota, Colombia Centro Cultural de Santa Teresita, Bogota, Colombia University de Llanos, Villavicencio, Colombia Universidad de Meta, Villavicencio, Colombia Camara de Comercio, Villavicencio, Colombia Exhibition, completed 2010.
  • Water & the Environment Museo de la Universidad de San Carlos, Guatemala City, Guatemala LART23TRES Contemporary Art Gallery, Mexico City, Mexico SP(L)ACES Gallery, Mexico City, Mexico Don Apolinio, San Adrés Cholula, Mexico Exhibition, completed 2010.
  • Art, Ecology & the Environment Universidad Nacional de Colombia Sede Amazonia, Leticia, Colombia Departamento de Cundinamarca, Bogotá, Colombia Universidad Nacional de Colombia, Bogota, Colombia Centro Cultural Santa Teresita, Bogota, Colombia Escuela de Artes Academia Guerrero, Bogota, Colombia Departamento del Meta, Ciudad Villavicencio, Lugar Universidad del Llano y Corporación Universitaría del Meta Departamento del Guaviare, Gobernación del Departamento y Espacios nocturnos, San Jose, Colombia Departamento del Valle, Comunidad Indigena Nasa Yuwe, Grupo Etnico Tradicional Exhibition, completed 2010.
  • Horror, Terror & Death Galeria Tinoco y Palacios, Oaxaca, Mexico Goguette Gallery, Mexico City, Mexico Exhibition, completed 2010.
  • Proof of Purchase, Sams∅n, Boston, Massachusetts Exhibition, completed 2010.
  • Climate Change & the Environment: Art of Portrait and Text Museo de la Universidad de San Carlos, Guatemala City, Guatemala Garden Gallery, Zayed University, Abu Dhabi, United Arab Emirates Exhibition, completed 2010.
  • Mixta Sala Iquitos, Universidad Nacional del Perú Estado Loreto, Iquitos, Peru Sala de Exposiciones Amazonas, Universidad del Estado del Amazonas UEA, Tabatinga, Brazil Sala de Exposiciones Orellana, Biblioteca del Banco de la Republica, Leticia, Colombia Sala Jania-Iko (Casa de Imágenes en Uitoto), Universidad Nacional de Colombia Sede Amazonia, Leticia, Colombia Exhibition, completed 2009.
  • Motherhood and Revolution (with Sama Alshaibi), California Institute of the Arts, Valencia, California Exhibition, completed 2009.
    http://orchardstreetshul-artistsproject.org/
  • Ecology & the Environment Sala de Escuela Superior de Arte el Paranimfo, University of San Carlos, Guatemala City, Guatemala University of Guatemala, Guatemala City, Guatemala Exhibition, completed 2009.
  • Death: Art from the United States, Galeria Tinoco y Palacios, Oaxaca, Mexico Exhibition, completed 2009.
  • Words for Life, Muriel Sibell Woole Gallery, Boulder, Colorado Exhibition, completed 2009.
  • We Make the Road by Walking (with Sama Alshaibi), La Galería De La Misión De Senecú, Ysleta Independent School District, El Paso, Texas Exhibition, completed 2009.
    http://www.g-riot.com/website_mizel/index.html
  • Signs of Globalization Salón de Exposiciones de la Facultad de Arquitectura, University of San Carlos, Guatemala City, Guatemala Sala de Escuela Superior de Arte el Paranimfo, University of San Carlos, Guatemala City, Guatemala Exhibition, completed 2009.
  • Parallel Worlds, ScalaMata Gallery, Venice, Italy Exhibition, completed 2009.
  • Post Tractatus: Art in Amazonia Museo de Arte Contemporaneo, Universidad Nacional de Colombia, Sede Bogotá, Bogotá, Colombia Exhibition, completed 2009.
  • Climate Change & the Environment: Art of Portrait and Text Sala de Escuela Superior de Arte el Paranimfo, University of San Carlos, Guatemala City, Guatemala Directions Gallery, Colorado State University, Fort Collins, Colorado Museum of Natural History, Boulder, Colorado Exhibition, completed 2009.
  • Windows to the Divine, The Madden Museum, Denver, Colorado Exhibition, completed 2009.
  • Polifacetica: Etnografia Grafica Encuentro de Fotografía de Medellín, Medellin, Colombia Sala 2, Galeria Tinoco y Palacios, Oaxaca, Mexico French Building Alianza Francesa, Socrates 156 Esquina Homero, Colonia Los Morales, Polanco, Mexico Exhibition, completed 2009.
  • Art Now, Utah Museum of Fine Arts, Salt Lake City, Utah Exhibition, completed 2009.
  • Azag/Gaza: Mirroring War Casa Borda, Taxco, Mexico Galeria Zapata, Oaxaca, Mexico Exhibition, completed 2009.
  • We Make the Road by Walking (with Sama Alshaibi), Dinnerware Artspace, Tucson, Arizona 2-person exhibition Exhibition, completed 2008.
  • From ABC to XYZ Blackbridge Gallery, Beijing, China XYZ Gallery, 798 Art District, Beijing, China (July 26 -August 16: Olympics) Group exhibition during the Olympics Exhibition, completed 2008.
  • Contra La Guerra, Salas 1,2,3 and Roberto Garibay Gallery, Academia de San Carlos, Escuela Nacional de Artes Plasticas, Universida Nacional Autonoma de Mexico, Mexico City, Mexico Group exhibition Exhibition, completed 2008.
  • Art & Social Change: Land, Culture & Memory, Al-Kahf Gallery, International Center of Bethlehem, Bethlehem, Palestine Group exhibition Exhibition, completed 2008.
  • Reflection, 814 Gallery, Salt Lake City, Utah Group Exhibition Exhibition, completed 2008.
  • Post Tractatus: Art in Amazonia Sala de Exposiciones Amazonas, Universidad del Estado del Amazonas UEA, Tabatinga, Brasil Sala de Exposiciones Orellana, Biblioteca del Banco de la Republica, Leticia Colombia Sala Janai-IKO (Casa de Imágenes en Uitoto), Universidad Nacional de Columbia Sede Amazonia, Leticia, Colombia Sala Iquitos, Universidad Nacional del Peru, Loreto, Peru Traveling group exhibition Exhibition, completed 2008.

Presentations

  • Artist Talk, Uncanny Times Artist Talk, Seidel City, Boulder, Colorado. , Presented, 2021.
  • Artist Talk, After the Flood: ReGenesis, Jewish Art Salon, Virtual, June. , Presented, 2021.
  • Artist Talk, Uncanny Times Virtual Artist Talk, virtual. , Presented, 2021.
  • Artist Talk, The Walls Between Us, Center for Visual Art, Metropolitan State University of Denver, Denver, Colorado. , Presented, 2020.
    https://www.youtube.com/watch?v=Lae4EfGqj_Y
  • Artist Talk, Beth Krensky: Dispatch from Solitude #1: Walking the Unknown Path, O1ARTS, Ogden, Utah. , Presented, 2020.
    https://ogdencontemporaryarts.org/ogden-contempora...
  • Visiting Artist Lecture, Beth Krensky, Department of Art and Visual Communications Lecture Series, Utah Valley University, Orem, Utah, September. , Presented, 2019.
  • Artist Talk, Globalocation, Benson Latin American Collection, University of Texas-Austin, Austin, Texas. , Presented, 2017.
  • Panel Presenter, Youth, Art and Social Justice Panel (panelists include: Linda Weintraub, Susan Platt, Kirk Ambrose and Beth Krensky), RedLine, Denver, Colorado, November. , Presented, 2016.
  • Panel Presenter, Social Justice: It Happens to One, It Happens to All, St. Mary’s College Museum or Art, Moraga, California, September. , Presented, 2016.
  • Gallery Talk, On the Edge of Your Seat: Chairs for the 21st Century, Center for Art in Wood, Philadelphia, Pennsylvania, May. , Presented, 2016.
  • Visiting Artist Lecture, Beth Krensky, Snow College, Ephraim, Utah. , Presented, 2015.
  • Visiting Artist Lecture, Beth Krensky, Department of Art and Visual Communications Lecture Series, Utah Valley University, Orem, Utah. , Presented, 2015.
  • Keynote Speaker, Art and Leadership, Women’s Leadership Summit, University of Utah. , Presented, 2015.
  • Presenter, Expressions of Art and Belief: An Interfaith Evening with Artists, Scholars, and Faith Leaders, Springville Museum of Art, Springville, Utah. , Presented, 2014.
  • Visiting Artist Lecture, Beth Krensky, BYU Museum of Art, Brigham Young University, Provo, Utah. , Presented, 2014.
  • Visiting Artist Lecture, Westminster College, Salt Lake City, Utah. , Presented, 2013.
  • Gallery Talk, Amulets, Nazars & Evil Eyes: Artists Looking Forward, Queens College Art Center, Flushing, NY. , Presented, 2012.
  • Presenter, Beth Krensky: Art, Social Change and the Creative Process, University of Utah General Counsel Annual Retreat, Sundance Resort, Utah. , Presented, 2011.
  • Keynote Lunch Address, Making Art, Building Community and Negotiating Change, Community-Engaged Faculty Institute, University of Utah and Utah Campus Compact, Alta Utah. , Presented, 2010.
  • Presenter, Beyond Counterstance: The Arts as Dialogue Across Religious Divides, International Council of Fine Arts Deans Annual Conference, Salt Lake City, Utah. , Presented, 2009.
  • Presenter, Establishing and Sustaining Reciprocal Community Partnerships, University of Utah Engaged Faculty Institute, Alta, Utah. , Presented, 2009.
  • Panelist, Models of Engagement, Arts in the One World Conference: Motherhood and Revolution, California Institute of the Arts, Valencia, California. , Presented, 2009.
  • Keynote Speaker, Beyond Counterstance, In Perfect Harmony: Cultures, Dialogue and The Heart Symposium, Tucson, Arizona. , Presented, 2008.
  • Poster Session Presenter, Art in the Community, Lowell Bennion Community Center, University of Utah, Salt Lake City, Utah. , Presented, 2008.
  • Panelist, Utah Association for Gifted Children Conference, Gifted Learners in the Arts, Salt Lake City, Utah. , Presented, 2008.
  • Co-Presenter (with Sarina Furer), The Poetics of Home, Utah Art Education Association Annual Conference, Virtual. , Presented, 2021.
  • Gallery Talk, Site Lines, Utah Museum of Fine Arts, University of Utah. , Presented, 2018.
  • Gallery Talk, Site Lines, College of Fine Arts Dean’s Tour, Utah Museum of Fine Arts, University of Utah. , Presented, 2018.
  • Invited Speaker, Art and Social Practice, Art 2500, Department of Art and Art History, University of Utah. , Presented, 2016.
  • Lecture, Different Paths in Art Education, Art Teaching Senior Seminar, Department of Art and Art History, University of Utah. , Presented, 2016.
  • Organizer and Presenter, Art as Imagination: Making Art and Re-Making Ourselves, UMFA ACME (Art. Community. Museum. Education) Event, Glendale Public Library, Salt Lake City, Utah, September. , Presented, 2016.
  • Presenter, Research-in-Progress Roundtable: Artnauts International Art Collective: A Decade in Palestine, 9th International Conference on the Arts in Society, Rome, Italy. , Presented, 2014.
  • Presenter, Art as Action, National Art Education Association Annual Conference, San Diego, California. , Presented, 2014.
  • Panel Presenter, Art and Religion, Springville Museum of Art, Springville, Utah. , Presented, 2013.
  • Panel Presenter, This is Your Brain on Art—Psychology and Art, The Leonardo, Salt Lake City, Utah. , Presented, 2013.
  • Panel Presenter, The Power of the Image: Mexican Photography & Film, Then & Now, Artes de México en Utah, Salt Lake Main Library Auditorium, Salt Lake City. , Presented, 2012.
  • Gallery Talk, The Faculty Show: Recent Works by The University of Utah Art Faculty, Utah Museum of Fine Arts, University of Utah. , Presented, 2012.
  • Gallery Talk, CFA Advisory Board Space Maker Gallery Talk, UMFA, Salt Lake City, Utah. Other, Presented, 2021.
  • Panel Facilitator, Artnauts Virtual Artist Talks. Other, Presented, 2021.
  • Presenter, Q & A for Thinking Outside the Box Office: Deconstructing the Relationship between Music and Space, Institute of Sacred Music Colloquium, Yale Divinity School, Yale University, November. Other, Presented, 2020.
  • Panel Organizer, Environmental and Health Literacy/Communication Panel, The Air We Breathe One U Symposium, University of Utah. Other, Presented, 2019.
  • Organizer and Presenter, Transfer Pathways Summit, University of Utah Office of Undergraduate Studies and Salt Lake Community College, University of Utah I organized this summit with multiple presenters and over 200 attendees from the University of Utah and Salt Lake Community College. The summit focused on transfer initiatives between the two institutions. Other, Presented, 2019.
  • Presenter, Research-in-Progress: Artnauts International Art Collective: A Decade in Palestine, 9th International Conference on the Arts in Society, Rome, Italy, June 2014. , Accepted, 2013.
  • Presenter, Art as Action, National Art Education Association Annual Conference, San Diego, California, March 2014. , Accepted, 2013.
  • Presenter, Engaging Classrooms and Communities Through Art, Utah Art Education Association Annual Conference, St. George, Utah. , Presented, 2010.

Copyrights

  • Engaging Classrooms and Communities Through Art: AGuide to Designing and Implementing Community BAsed Art Education. Beth Krensky and, 2009.

Publications

  • Rooney, Ashley (date unknown). . Accepted, .
  • (date unknown). Krensky, B. and Steffen, S. (2009). Engaging Classrooms and Communities through Art: A Guide to Designing and Implementing Community-Based Art Education. MD: AltaMira Press.. Accepted, .
  • George Rivera (date unknown). Globalocational Art: The Artnauts in Palestine. (pp. 118). Diyar Press. Accepted, .
  • LeCompte, Margaret (date unknown). LeCompte. M., Schensul, J., Weeks, M., and Singer, M. (2015). The Ethnographer’s Toolkit: Researcher Roles & Research Partnerships, Second Edition, Walnut Creek, California: AltaMira. The book contains a case study about one of my community-based art projects.. Accepted, .
  • (date unknown). Krensky, B. and Steffen, S. (2009). Engaging Classrooms and Communities through Art: A Guide to Designing and Implementing Community-Based Art Education. MD: AltaMira Press.. Accepted, .
  • Schensul. J. (date unknown). My work was used as a case study in: Schensul, J. (2011). Building an Applied Educational Anthropology beyond the Academy. In Levinson, B. and Pollock, M. (Eds.) (2011). A Companion to the Anthropology of Education. Wiley-Blackwell.. Accepted, .
  • Rivera, G. (date unknown). Rivera, G. (2014). "Home, Land, and Homeland As Social Values," Chapter 14 in Mitri Raheb (Editor) Palestinian Identity in relation to Time and Space (Beit Jala, Palestine: Diyar Publisher, 2014), pp. 223-232. My work is included in this chapter.. Accepted, .
  • Krensky, B. (date unknown). “Crossing the Bridge”. Vol. 1, Demeter Press. Accepted, .
  • Blonquist, M. (date unknown). Beth Krensky: Learning to Fly, In Utah’s 15: The State’s Most Influential Artists, Volume II. (pp. 50-55). Vol. 2, 15 Bytes. Accepted, .
  • (date unknown). Krensky, B. (2009). “Book Review: Art, Community and Environment: Educational Perspectives.” Teachers College Record. April 14, 2009, http://www.tcrecord.org.. Accepted, .
  • Beth Krensky (date unknown). Krensky, B. (2016). “Art as Possibility.” Social Justice: It Happens to One, It Happens to All Exhibition Catalogue. St. Mary’s College Museum of Art. Accepted, .
  • Beth Krensky (date unknown). Krensky, B. (2016), “Letter of the Week: Educators are unified for tolerance.” Salt Lake Tribune, December 4, 2016, http://www.sltrib.com/opinion/4644961-155/letter-of-the-week-educators-are. Accepted, .
  • (date unknown). Krensky, B., Steffen, S. (2008). “Arts-Based Service Learning: A State of the Field,” Art Education: The Journal of the National Art Education Association. Accepted, .
  • Beth Krensky (date unknown). Krensky, B. (2014). “Book Review: Reading the Visual: An Introduction to Teaching Multimodal Literacy, By Frank Serafini.” Teachers College Record. May 5, 2014, http://www.tcrecord.org. Accepted, .
  • Soltes, Ori (date unknown). Jerusalem between Heaven and Earth: The Third Jerusalem Biennale, October 1 – November 16, 2017. Liverpool University Press. Vol. 14, 7. Accepted, .
  • (date unknown). Goldbard, A. Sacred Conflict, December 11, 2009, http://arlenegoldbard.com/2009/12/11/sacred-conflict. Accepted, .
  • (date unknown). J. Voloj (December 2, 2009). “Cultural Heritage Artists Project: Beth Krensky.” In 2 Life Magazine [online]. Available: http://2lifemagazine.blogspot.com/2009/12/beth-krensky-about-orchard-street-shul.html (December 10, 2009). Accepted, .
  • (date unknown). Gruber, S. USA: Exhibition by New Haven's Orchard Street Shul Cultural Heritage Artists Project, November 30, 2009, http://samgrubersjewishartmonuments.blogspot.com/2009/11/usa-exhibition-by-new-havens-orchard_30.html. Accepted, .
  • Sh'ma Now (date unknown). Tashlich Image. (pp. 4). Vol. 50. Sh'ma Now. Accepted, .
  • Boyd, Kealey (date unknown). Beth Krensky’s “Dispatch from Solitude # 1 Instagram Story. Kealy Boyd, critic for Hyperallergic. Accepted, .
  • Zrinski, T. (date unknown). Zrinski, T., Artists Respond to 10th Anniversary of 9/11 With Gallery Show, Upper Saucon Patch, September, 7, 2011. Accepted, .
  • Beth Krensky (date unknown). Featured Artist, Come and Listen, September 2011,. Accepted, .
  • Krensky, Beth (date unknown). Youth Activist Art Archive (YAAA). J. Willard Marriott Library Digital Exhibits, University of Utah. Accepted, .
  • Oman, M. (date unknown). Oman, M., Community-based art education gives children an edge in the classroom, Voices of Utah, April 21, 2011. Accepted, .
  • Oman, M. (date unknown). Oman, M., The University of Utah’s hidden gem: community-based art education, Voices of Utah, March 17, 2011. Accepted, .
  • Weist, E. (date unknown). Kites, Handcarts Nightgowns: Beth Krensky. (pp. 10-13). Vol. 1. Utah Department of Heritage and Arts. Accepted, .
  • Oman, M. (date unknown). Oman, M., Community-based art education used as a tool by artists to build communities, change lives, Voices of Utah, March 1, 2011. Accepted, .
  • Morgan, J. (date unknown). Handcrafted Images: Beth Krensky, Josiah Morgan, February 17, 2014. Accepted, .
  • Palestinian News Network (date unknown). Diyar Consortium opened two exhibitions entitled "Gaza" and "Displacement" for the American Artist George Rivera, Palestinian News Network, Bethlehem, Palestine, February 17, 2011. Accepted, .
  • UMFA (date unknown). Utah Museum of Fine Arts, Spiral Jetty Experienced Video, February 3, 2011. Accepted, .
  • (date unknown). personal website. Accepted, .
  • O’Grady, M (date unknown). “The Artists Bringing Activism Into and Beyond Gallery Spaces". The New York Times. Accepted, .
  • Pierce, S. and Means, S. (date unknown). Meet Utah’s 15 most influential artists, chosen by more than 150 experts and fans. Salt Lake Tribune. Accepted, .
  • Rivera, George (date unknown). UnCanny Times: Looking Back, Looking Forward. (pp. 116). Center for Visual Arts. Accepted, .
  • Shreiber, Maeera (date unknown). Holy Envy: Writing in the Jewish Christian Borderzone. (pp. cover). Fordham University Press. Accepted, .
  • Rivera, George (date unknown). The Diaspora of Being (2015), Essay by Linda Weintraub, Dar al-Kalima University College of Arts and Culture, Bethlehem, Palestine. Accepted, .
  • (date unknown). Art Matters (2008). Boston, Massachusetts: School of the Museum of Fine Arts. My art was selected for this publication. Accepted, .
  • Dab Art (date unknown). Dab Art Quarterly Art Journal: Genesis, Winter Issue. Dab Art. Accepted, .
  • Studio Visit Magazine (date unknown). “Featured Artist,” Studio Visit Magazine (2014), Volume 23. Accepted, .
  • Studio Visit Magazine (date unknown). “Featured Artist,” Studio Visit Magazine (2012), Volume 17. Accepted, .
  • (date unknown). Catalog of group exhibitions I was in: Art & Social Change: Land, Culture, & Memory (2008), Al-Kahf Cultural Center, The International Center of Bethlehem, Bethlehem, Palestine. Accepted, .
  • (date unknown). Catalog from Group Exhibition I was in: Reflection Gallery (2008), essay by Lowell Bennion Community Service Center, University of Utah, Gallery 814, Salt Lake City, Utah. Accepted, .
  • (date unknown). Catalog from Group Exhibition I was in: From ABC to XYZ (2008), XYZ Gallery, 798 Space, Beijing, China. Accepted, .
  • (date unknown). Catalog of group exhibitions I was in: Post Tractatus: Art in Amazonia (2008), essays by Dr. George Rivera, Patrick Frank and Eugene Stewart-Huidobro, Artnauts, Boulder, Colorado. Accepted, .
  • (date unknown). J. Birke, “Best of 2009: The art that lingered and touched both the mind and eye,” New Haven Register, New Haven, Connecticut, December 29, 2009. Accepted, .
  • (date unknown). A. Hoffman (December 4, 2009). “Memory Blocks: A Deteriorating New Haven Synagogue Inspired an Art Exhibition.” In Tablet [online]. Available: http://www.tabletmag.com/arts-and-culture/21540/memory-blocks/ (December 4, 2009). Accepted, .
  • Low, J. (date unknown). “Springville Shows Celebrate the Spirituality of the Human Family". 15 Bytes. Accepted, .
  • Premack, E. (date unknown). Premack, E. (2012), “Beth Krensky: Art, Animals and Artnauts,” Chutzpah Magazine, (Fall Issue) http://www.pageturnpro.com/Black-Dog-Media/43683-Chutzpah-Fall-2012/index.html#22. Accepted, .
  • Lopez, M. (date unknown). Artnauts Celebrate 25th Anniversary with New Exhibition. Colorado Arts and Sciences Magazine. Accepted, .
  • Roka, L. (date unknown). University of Utah art faculty show Space Maker at Utah Museum of Fine Arts is captivating expression of spaciousness of creativity arising from a period marked by distancing and restrictions. The Utah Review. Accepted, .
  • Hill, S. (date unknown). UMFA Makes Space for a Dazzling Display of Local, Contemporary Art. 15 Bytes. Accepted, .
  • McKanic, A. (date unknown). McKanic, A. (2012), “Queens College Exhibit Explores Evil Eye Mysticism,” Times Ledger, (May 19, 2012) http://www.timesledger.com/stories/2012/20/evileyeexhibit_all_2012_05_17_q.html. Accepted, .
  • Bartlett, J. (date unknown). Bartlett, J. (2012), “A Modern Twist on the Evil Eye and Nazars,” Queens Chronicle, (May 3, 2012) http://www.qchron.com/qboro/stories/a-modern-twist-on-the-evil-eye-and-nazars/article_a37acde3-68d2-5538-9304-6bf26db882ea.html#.T6lHHcWlnsM.email. Accepted, .
  • (date unknown). A. Leon, “Inauguraran exposicion en la galeria Tinoco y Palacios,” Diario Despertar De Oaxaca, May 1, 2009. Accepted, .
  • (date unknown). C. Wadley, “Faculty art: New exhibit celebrates recent works by University of Utah artists,” Deseret News, April 18, 2009. Accepted, .
  • (date unknown). Krensky, B. (2009). “Book Review: Art, Community and Environment: Educational Perspectives.” Teachers College Record. April 14, 2009, http://www.tcrecord.org. Accepted, .
  • Karl, A. (date unknown). Karl, A. (2012), “Not With a Whimper but a Bang!: The Faculty Show at the UMFA,” 15 Bytes, (April 2012) http://artistsofutah.org/15bytes/12apr/page4.html. Accepted, .
  • Pavlaki, D. (date unknown). Pavlaki, D., “Tearing Down the Walls,” Athens News, (January 8, 2012), http://www.athensnews.gr/issue/13477/52100#. Accepted, .