Research Keywords

  • Visualization
  • The creative process
  • Printmaking
  • Photography history
  • Photography
  • Lithuania
  • Language or Literature
  • Imaging, Three-Dimensional
  • Fine Arts
  • Digital Imaging
  • Creative Writing/Fiction
  • Computer Arts
  • Art History
  • 3D Printing

Creative Research

  • 12 Minutes Max. Salt Lake City Public Library. Video "Silver Dove" screened. Work commissioned by Hal Cannon, creator of the music. Performance, refereed, completed 11/20/2022.
    https://services.slcpl.org/slcpl/event/6711018
  • Silver Dove. Video (2 lengths: 3:56 and 1:46), album and CD artwork. Commissioned by Hal Cannon for his music release Nothin' Lastin'. The album has received widespread praise and press coverage including on the U.K -based Folk Radio. Folkradio.co.uk The video was screened at the Salt Lake City Public Library on November 20, 2022 as part of their 15 Minutes Max series. Commission, completed 08/2022.
    https://www.folkradio.co.uk/2022/08/video-hal-cann...
  • New Photography III. Academy Art Museum. Easton, Maryland. April 5 – July 10, 2022. 5 works from "At Home in the West" exhibited. Juror: Kris Graves. Founded in 1958, The Academy Art Museum enjoys close professional relationships with the National Gallery of Art, the Baltimore Museum of Art and the Walters Art Museum. Exhibition, refereed, completed 04/05/2022.
  • Agenda 2022; “Square Meter: Free Space for Creativity" Bibliotheca Alexandrina. Alexandriam Egypt. Eastern and Western Exhibition Hall. February 23 – March 12, 2022. I have once again been invited by The Department of Exhibitions and Art Acquisitions, Cultural Communication Sector, at the Bibliotheca Alexandrina (the New Library of Alexandria) to exhibit work in what they describe as “an exceptional session to celebrate the 15th anniversary of this distinguished exhibition.” Exhibition, refereed, completed 02/23/2022.
  • 1st Triennale de Gravure de Liège; Musée La Boverie (Formerly the International Biennale of Contemporary Prints which I have previously been selected for four times.) Liège, Belgium. September 16 – October 17, 2021. This international exhibition was formerly a long running biennial. Exhibition, refereed, completed 09/16/2021.
  • Earth Photo 2021. Royal Geographical Society. Place Prize winner London, U.K. August 2 – August 25, 2021; touring UK National Forests through April 2022. This is the second time I have been a winner in this international exhibition sponsored by the Royal Geographical Society, Forestry England and Parker Harris. Winners were announced August 10 and covered globally by the BBC. The Royal Geographical Society created a video of winners work with Professor Joe Smith, Director of the Royal Geographical Society, saying this about my work: Edward Bateman’s Half Dome in Winter is just one of the hundreds of works submitted to Earth Photo. I find it really fascinating because he’s trying to tell a story about a very large place, from a very small place. So he’s worked with 3D printing and a smoke machine to create a landscape from Yosemite National Park on his own kitchen table. Now, Bateman is presenting an image that at first sight is quite playful. But I must admit, I also find it really unsettling. He’s playing off the art historical concept of the sublime, but reading it through the lens of the difficult new knowledge of human caused climate change and biodiversity loss. So, one way of reading the image, one that I brought to it is that big ideas can be created from small, difficult spaces of opportunity. This is just the kind of thinking that we’re going to need a great deal of in the decades to come.” The work was also taken to the COP26 UN Climate Change Conference and will tour Forestry England forests through April 2022. My work was also selected for the Royal Geographical Society’s holiday card. Besides an honorarium, I was made a member of the Royal Geographical Society. Exhibition, refereed, completed 08/02/2021.
    https://www.bbc.com/news/in-pictures-58103283
  • Krakow 2021 International Print Triennial. The Special Award of the Rector of the Academy of Fine Arts in Gdańsk. Krakow, Poland. June 25 – July 31, 2021. I was selected as one of 74 artists from 23 countries to participate in this exhibition organized by the International Print Triennial Society in Krakow. The Krakow Triennial is considered one of the most important and longest-running events in the field of printmaking. I was recognized (virtually) in a ceremony held on stage at the Nowa Huta Cultural Center in an event that was shared globally online. I was able to give my thanks for this award, in part using my limited Polish language skills. This award comes with a €1200 honorarium. Exhibition, refereed, completed 06/25/2021.
    http://www.en.triennial.cracow.pl/Main_page/4818-M...
  • "At Home in the West" Phillips Gallery - main floor gallery. Salt Lake City, Utah. Exhibition, refereed, completed 06/18/2021.
  • DE | MARCATION A Survey of Contemporary Photography in Utah; Springville Museum of Art Springville, Utah. February 6 – April 30, 2021 Curated by Amy Jorgensen and Edward Bateman; Sponsored by Utah Division of Arts & Museums Exhibition, refereed, completed 02/06/2021.
  • Konfrontacje 3 W Trybie Covidowym. Galleria System. Radom, Poland. February 2021. Seven works invited by curator Prof. Aleksander Olszewski. This exhibition included work from five artists from Poland, Lithuania and India. Exhibition, refereed, completed 02/2021.
  • Art of Staying at Home: Artists in the Time of Corona Exhibition. Bibliotheca Alexandrina Alexandria, Egypt. Four works included by invitation. I was the only U.S. artist represented in this exhibition with artists from 8 countries. An exhibition catalog was made. Exhibition, refereed, completed 12/08/2020.
    https://www.bibalex.org/en/events/eventdetails?id=...
  • 2020 Ridgway Independent Film Festival. Ridgway, Colorado. Official Selection. One work screened: Untitled Cinématographe 1907. Media Arts, refereed, completed 11/16/2020.
  • Yosemite: Seeking Sublime. photo-eye Gallery. Solo exhibition. Santa Fe, New Mexico and Online. November 14, 2020 –February 16, 2021 photo-eye Gallery has been in operation for 40 years and has a national reputation in the fine art photography market. A virtual gallery tour was also created for this solo exhibition which premiered on November 28, 2020. https://blog.photoeye.com/2020/11/yosemite-seeking-sublime-virtual-tour.html Exhibition, refereed, completed 11/14/2020.
    https://yosemite.photoeye.com
  • Wild Things: Disrupting the Photographic Archive in the Time of a Pandemic. CEPA Gallery. Buffalo, New York. Six works exhibited by invitation. This exhibition included 19 artists from Canada, England, Germany, Israel, Mexico, the Netherlands, Poland, and the United States. Curated by Robert Hirsch, the project delves into the slipperiness of photographic realism by offering visual evidence of how the malleability of photographic processes can change an image’s meaning. Exhibition, refereed, completed 09/18/2020.
    https://www.cepagallery.org/exhibit-event/wild-thi...
  • 10th International Printmaking Biennial of Douro – 2020; Coa Art Museum Douro, Portugal. August 10 - October 31, 2020. This international exhibition is by invitation. 625 artists from 64 countries. Exhibition, refereed, completed 08/10/2020.
  • PhotoLA. Virtual Edition. My work was presented by photo-eye Gallery. Los Angelas, California. June 26–28, 2020. Photo LA is the West Coast’s longest running international art fair. It’s focus in on collectors, galleries and dealers. Exhibition, refereed, completed 06/26/2020.
    https://blog.photoeye.com/2020/07/photo-eye-galler...
  • Fractured: 2020 Jurried Exhibition; PhotoEye Gallery Santa Fe, New Mexico. February 28 – June 20, 2020. Three works selected. This exhibition was juried by the photo-eye Gallery staff, and out of 500+ artists submitting, 35 artworks by 25 artists were selected. I was the only artist with three works exhibited (All sold). The exhibition was the cover story in Pasa- tiempo; Santa Fe’s weekly arts and culture magazine. Mini Interview: https://blog.photoeye.com/2020/04/fractured-mini-interviews-kelly-cowan.html Video Interview: https://blog.photoeye.com/2020/08/photo-eye-conversations-edward-bateman.html Exhibition, refereed, completed 02/28/2020.
    https://blog.photoeye.com/2020/08/photo-eye-conver...
  • Angkor Photo Festival, 15th Edition. Video screened: The Auteur. (first public screening) Cambodia; December 3-7, 2019. Video invited by Paris-based curator Françoise Callier. Exhibition, completed 12/03/2019.
  • CIty Dance. A large (approximately 14 x 8 feet) pubic work commissioned for McCarthy Plaza adjacent to the Eccles Theatre. Commissioned by property owner Laurie Williams. November 2019 – ongoing. Commission, completed 11/2019.
  • Curatorial/Institutional Acquisitions DE | MARCATION; A SURVEY OF CONTEMPORARY PHOTOGRAPHY IN UTAH. Curators and Essayists: Amy Jorgensen and Edward Bateman. Created in collaboration with Red Butte Press at the Marriott Library. November 2018. Utah Museum of Fine Arts; University of Utah. Salt Lake City, Utah USA Acquisition numbers: UMFA2018.19.1.6 UMFA2018.19.1.21 This work is also in the collections of: State of Utah Alice Merrill Horne Collection Rare Books Collection, part of Special Collections at the J. Willard Marriott Library, University of Utah Snow College Karen H. Huntsman Library, Special Collections Nora Eccles Harrison Museum of Art, Utah State University Savannah College of Art and Design, Savannah Archives and Special Collections at Jen Library Other, refereed, in progress 11/2019.
  • Artists in Conversation; ADW Art Gallery, Southern Illinois University Edwardsville Edwardsville, Illinois. October 28 – November 22, 2019. Invited by Prof. Abbey Hepner. Invited artists include: Edward Bateman, Zora J. Murff, Emma Powell, Jennifer Colton, Amanda Dahlgren, Sallie Scheufler, Meghan Kirkwood, Andy Mattern. Exhibition, refereed, completed 10/2019.
  • Sky Above, Earth Below; A History of Western Landscape Photography; Nora Eccles Harrison Museum of Art. Marie Eccles Caine Gallery. Utah State University. Logan, Utah. September 14, 2019 - July 31, 2020 This curated survey exhibition is by invitation. Other included artists: Ansel Adams, Mark Klett, Edward Weston, Edward Curtis, Dorothea Lange, Arthur Rothstein, etc. Exhibition, refereed, completed 09/14/2019.
    https://artmuseum.usu.edu/exhibitions/skyabove
  • Center Forward 2019; The Center for Fine Art Photography Fort Collins, Colorado. September 7 - 28, 2019 Exhibition, refereed, completed 09/2019.
    http://www.c4fap.org/exhibitions/center-forward-an...
  • 4th Global Print 2019; various locations Douro, Portugal. August 1 – September 30, 2019 This international exhibition is by invitation. It featured 500 artists from more than 60 countries. Exhibition, completed 08/2019.
  • DE | MARCATION A Survey of Contemporary Photography in Utah; Utah Museum of Fine Arts Salt Lake City, Utah. July 18, 2019 – January 12, 2020 An exhibition of a portfolio project examining the current state of photography in Utah curated by Amy Jorgensen & Edward Bateman. Acquired or the permanent collection of the UMFA in 2019. This exhibition was voted Art Lovers Favorite for 2019 by supporters of the Utah Museum of Fine Art. Exhibition, refereed, completed 07/2019.
    https://umfa.utah.edu/demarcation
  • Texas Photographic Society TPS 28: The International Competition Art League of Baytown; Baytown, Texas. July 27 - August 31, 2019 Center for Contemporary Arts; Abilene, Texas. November 21, 2019 - January 18, 2020 Options Gallery at Odessa College; Odessa, Texas. February 3 - March 5, 2020 Exhibition, refereed, in progress 07/2019.
    https://texasphoto.org/tps-28
  • LeafScape. A video work commissioned by Meural (A division of Netgear) exclusively for their digital art platform. June 2019 - ongoing. Commission arranged by my U.K./NYC representative: Lumen Art Projects - Registered Com- pany (No. 11303243) in England and Wales. Meural has developed a digital fine art platform for the exhibition of works in homes. They licence artwork from many significant art museums and institutions including the Louvre, The Metropolitan Museum of Art, Tate Britain, LACMA, The National Gallery of Art, J. Paul Getty Museum, The Hermitage Museum, Museo del Prado, etc. I was their featured artist for June 5, 2019 Commission, completed 06/2019.
    https://my.meural.netgear.com/playlists/91802
  • DE | MARCATION A Survey of Contemporary Photography in Utah. Granary Arts. Curated by Amy Jorgensen and Edward Bateman Ephraim, Utah. May 24 – September 27, 2019 Exhibition, refereed, completed 05/2019.
    https://www.granaryarts.org/de-marcation-a-survey-...
  • Utah’s 15: The State’s Most Influential Artists. Rio Gallery. Utah Division of Arts & Museums Salt Lake City, Utah; January 18 – March 8, 2019 Exhibition, refereed, in progress 01/18/2019.
  • Magic and Machine: Fantasy and Sci-Fi in Utah Art; Springville Museum of Art Springville, Utah; January 9, 2019 - August 3, 2019. 24 works exhibited by invitation. My work was used as the primary image for this exhibition. Exhibition, refereed, in progress 01/09/2019.
    http://www.smofa.org/magic-and-machine.php
  • UT.18: Statewide Annual; Rio Gallery Utah Division of Arts and Museums Salt Lake City, Utah; November 16, 2018 - January 11, 2019 Exhibition, refereed, completed 11/16/2018.
  • Site Lines: Recent Work by University of Utah Art Faculty; Utah Museum of FIne Art Salt Lake CIty, Utah; September 28, 2018 – January 6, 2019 Exhibition, refereed, completed 09/28/2018.
  • 9th International Printmaking Biennial of Douro – 2018; Coa Art Museum Douro, Portugal; August 10 - October 31, 2018 This international exhibition is by invitation. My work was used for the frontispiece of the exhibition catalogue. Exhibition, refereed, completed 08/2018.
  • Novosibirsk Graphic Art Triennial; The Novosibirsk State Art Museum Novosibirsk, Russia. Autumn 2018. International Section; Pandora’s Box, (9 countries represented) curated by Canadian artist Derek Michael Besant. Exhibition, refereed, completed 08/2018.
  • Earth Photo 2018; Royal Geographical Society; Nature Prize winner. Three works exhibited. London, U.K. July 23 – September 21; touring UK National Forests through January 2019. Bedgebury Pinetum, Kent. July 27 – October 1, 2018 Forest of Dean, Gloucestershire. October 8, 2018 – January 1, 2019 Grizedale Forest, Cumbria. October 11, 2018 – January 20, 2019 Works were selected from 1280 submissions from 19 different countries. This exhibition received international attention and was covered by The Guardian with the story picked up and translated into many languages including Greek and Russian. Exhibition, refereed, completed 07/23/2018.
    https://www.earthphoto.world/2018-prizewinners
  • 2017 North American Print Biennial; Leslie University College of Art and Design. Cambridge, Massachusetts. January 27 – March 4, 2018. Organized by Boston Printmakers. Exhibition, refereed, in progress 01/2018.
  • The 10th Kochi International Triennial Exhibition of Prints; Ino Paper Museum Kochi, Japan. My work was one of 168 works selected from 1783 submissions from 51 countries by 701 artists. Exhibition, refereed, completed 10/2017.
  • Untitled Cinematographe, 1907; Nevada Museum of Art. Reno Nevada. My video work was screened with musical accompaniment by 3hattrio. Exhibition, completed 09/23/2017.
  • 3rd Global Print 2017; various locations Douro, Portugal. This international exhibition is by invitation. Exhibition, refereed, completed 07/2017.
  • The 2016 Lumen Prize Exhibition; London, UK; September 29th, 2016 (and other various UK locations including the Leeds Festival). Shanghai Modern Art Museum; Shanghai China; May 27 – July 2, 2017. Florence, Italy; May 11, 2017 as part of the EVA conference. Caerphilly Castle, Wales; November 23 – 28, 2016. My video work “Untitled Cinematographe, 1907” was short-listed and continues to travel internationally. The Guardian Culture Blog describes The Lumen Prize as “The world’s preeminent digital art prize.” Exhibition, refereed, completed 07/2017.
    https://lumenprize.com/newsarticle/2016-shortlist-...
  • Museum Acquisition for Permanent Collection. Victoria & Albert Museum. London UK. One work as part of the Distortion Portfolio organized by U.K. artist Wuon-Gean Ho. Acquisition number: 2016/541 Other, completed 05/2017.
  • 11th International Biennale of Contemporary Prints; Musée La Boverie; Liège, Belgium. I had 4 works included in this exhibition which featured artists from 16 Countries on 5 continents. Exhibition, refereed, completed 03/2017.
  • Houdini. Las Leyes del Asombro; Espacio Fundación Telefónica Madrid Spain. My complete 16 image series “Science Rends the Veil,” based on a reworking of the history of spirit photography, was invited by curator María Santoyo to be part of this exhibition that was viewed by 157,000 visitors. Exhibition, refereed, completed 02/2017.
  • Matrices / Matricák 2017; Trezon Gallery–B32 Gallery Budapest, Hungary. Exhibition, refereed, completed 02/2017.
  • Ten Anomalies; Phillips Gallery – Dibble Gallery Salt Lake City, Utah; Solo Show Exhibition, refereed, completed 01/20/2017.
  • Museum Acquisition for Permanent Collection. China Printmaking Museum. Shenzhen China. Two works acquired for their permanent collection. Acquisition numbers: GB000932, GB000933. Other, completed 01/2017.
  • 5th International Biennial of Graphic Digital Arts - Gdynia 2016; Gdynia Design Center, Pomeranian Science and Technology Park, Gdynia, Poland Exhibition, refereed, completed 10/2016.
  • Stories and Secrets; PhotoPlace Gallery, Middlebury, VT. Exhibition, refereed, completed 11/2015.
  • North American Print Biennial; The Lunder Arts Center at Lesley University College of Arts and Design, Cambridge, Massachusetts. 129 works were selected from over 2000 submissions by 699 artists. Exhibition, refereed, completed 11/2015.
  • Impact 9 International Printmaking Conference; Printmaking in the Post-Print Age. Hangzhou China. Exhibition Organizer (juried): Changing Worlds: Technology as metaphor and inspiration of utopia and dystopia I organized and presented an exhibition (with Professor Justin Diggle) that invited 19 artists representing 7 countries. I traveled to China to present this show at the China Academy of Art. Exhibition, refereed, completed 09/2015.
  • 2015 Pacific Rim International Print Exhibition; Chambers 241 / University of Canterbury; Christchurch, New Zealand; Two works exhibited. This juried exhibition included work by 34 Artists from nations and cultures of the Pacific Rim. Exhibition, refereed, completed 09/2015.
  • Krakow 2015 International Print Triennial; Krakow, Poland; September 2015 Two works exhibited. The work of 105 artists from 28 countries was selected from submissions by 1105 artists. Exhibition, refereed, completed 09/2015.
  • 2015 F295 Members Salon Exhibition; Frick Fine Arts Gallery, University of Pittsburgh. Exhibition, completed 05/2015.
  • The Fourth Bangkok Triennial International Print and Drawing Exhibition; Bangkok Art and Culture Center, Bangkok,Thailand; This exhibition consisted of 149 works selected from 2,315 submitted pieces from artists in 56 countries. Exhibition, refereed, completed 05/2015.
  • 28th Annual NcNeese National Works on Paper Exhibition; Sherman Fine Arts Center Grand Gallery; McNeese State University; Lake Charles, LA. Purchase award winner. Exhibition, refereed, completed 04/2015.
  • 2015-18 Southern Graphics Council International Member’s Traveling Exhibition. This exhibition is organized every three years and premiered at the SGCI Conference in Knoxville, Tennessee at The University of Tennessee. It tours nationally for three years. Exhibition, refereed, in progress 03/2015.
  • 10th International Biennale of Contemporary Prints; Cabinet des Estampes et des Dessins, Ville de Liège; Museum of Fine Arts of Liège, Liège, Belgium; I had 5 works included in this exhibition which featured artists from 13 Countries on 4 continents. Exhibition, refereed, completed 03/2015.
  • By Car, By Plane, By Boat, By Train…; Granary Art Center Ephraim UT. Invited exhibition. Exhibition, completed 02/2015.
  • The Lumen Prize Exhibition: Cardiff School of Art & Design, Cardiff Metropolitan University, Cardiff Wales, United Kingdom; October 2014; Onassis Cultural Centre, Athens Greece; October 31 – November 30. New York Institute of Technology, New York City, New York, December 2014. Art ‘otel Amsterdam, Amsterdam, The Netherlands, January 2015; The Crypt Gallery, London United Kingdom, May 2015. The Guardian Culture Blog describes The Lumen Prize as “The world’s preeminent digital art prize.” I was selected (from approximately 700 applicants) as one of 25 artists from 15 countries to exhibit work. Exhibition, refereed, completed 12/2014.
  • Fourth International Biennial of Graphic Digital Arts – Gdynia 2014; Gallery of the Gdynia Design Centre; Gdynia, Poland. October 16 – November 20, 2014. I had two works included in this international exhibition. Exhibition, refereed, completed 11/20/2014.
  • The Expressive Voice: Brought to Light; Danforth Art; Framingham, MA; September 7–November 9, 2014. Two of my works from the permanent collection of Danforth Art were exhibited in this show. Exhibition, completed 11/2014.
  • 7th International Printmaking Biennial of Douro – 2014. The Printmaking Nucleus of Alijó- Portugal Douro, Portugal. August 10 - October 30, 2014. This international exhibition is by invitation. Exhibition, refereed, completed 10/2014.
  • New Narratives: Recent Work by University of Utah Art Faculty; Utah Museum of Fine Arts Salt Lake City, UT; October 24 2014 – January 11, 2015 Exhibition, refereed, completed 10/2014.
  • Miniprint Finland 2014; The Graphic Artist Association of Lahti, Finland Hyvinkää Art Museum Lahti, Finland. This exhibition drew on submissions from 758 artists and selected work by 137 artists from 34 countries. Exhibition, refereed, completed 05/2014.
  • Paper in Particular; Columbia College Colombia, MO; February 3 – March 11, 2014 Three works juried into exhibition with one piece purchased for the collection of Columbia College. Exhibition, refereed, completed 03/2014.
  • The Boston Printmakers Selects: A Distillation from the 2013 North American Print Biennial (Innovation) SGC International Printmaking Conference; Academy of Art University, Cannery Galleries; organized by Renee Covalucci and Mary Taylor, Board of Directors, The Boston Printmakers San Francisco CA; March 26-29 2014. For “Boston Printmakers Selects”, three members of the Boston art community were invited to choose 10 prints each to align with the theme “Bridges: Spanning Tradition, Innovation and Activism.” Lynne Cooney, Exhibitions Director, School of Visual Arts, Boston University selected prints for “Innovation.” Exhibition, refereed, completed 03/2014.
  • Une Vision du Futur; Le Centre d’artistes Voix Visuelle; Ottawa, Ontario, Canada. Exhibition, refereed, completed 11/2013.
  • 2013 Pacific Rim International Print Exhibition; Chambers 241 / University of Canterbury; Christchurch, New Zealand. Exhibition, refereed, completed 11/2013.
  • Boston Printmakers 2013 North American Print Biennial; Juror’s Award / The Danforth Art Prize (Purchase for Danforth Art, Framingham, MA) 808 Gallery, Boston University; Boston Massachusetts Exhibition, refereed, completed 10/2013.
  • Utah Arts Council 2013 Statewide Annual Competition: Mixed Media & Works on Paper; Rio Gallery; Salt Lake City, Utah. Exhibition, refereed, completed 10/2013.
  • Boston Printmakers 2013 North American Print Biennial; 808 Gallery, Boston University; Boston Massachusetts; Oct. 27 – Dec. 20, 2013 I had two pieces included in the exhibition of 135 works drawn from nearly 2400 submissions. Exhibition, refereed, completed 10/2013.
    http://www.bostonprintmakers.org/biennial.html
  • UTAH PRINTMAKERS EXHIBITION – A Group Exhibition of Prints by Selected Artists Throughout the State of Utah; The Gallery at Library Square; Salt Lake City Public Library; Salt Lake City, Utah. Exhibition, refereed, completed 09/2013.
  • Global Print 2013; Douro / Lamego Portugal; This exhibition is by invitation and features work by 360 artists from 60 countries. Exhibition, refereed, completed 09/2013.
  • Impact 8: International Printmaking Conference: Borders and Crossings - the Artist as Explorer; Dundee Scotland; August 28 - September 1, 2013; Work in two exhibited portfolios: Homespun Technologies (Erik Brunvand, organizer); Token Gestures (Stefanie Dykes, organizer) Exhibition, refereed, completed 08/2013.
  • Relevant 2013 Show; Main Gallery, Kimball Art Center Park City, Utah; Invited exhibition for former mentors and participants in the Relevant Artist-in-Residence program. Exhibition, refereed, completed 08/2013.
  • PERSIRENGIMAS (DISGUISE); Meno parkas galerija; Kaunas Lithuania; March 1 - 20, 2013 I was invited by Lithuanian artist Greta Grendaitė to contribute work to an installation titled Drugelio efektas (The Butterfly Effect), which will later become an artist’s book, responding to the question: “city + me =?” reflecting on the socio-emotional conditions and/or problems of the city as society. Exhibition, refereed, completed 03/2013.
  • 9th International Biennale of Contemporary Prints; Cabinet des Estampes et des Dessins, Ville de Liège;Museum of Fine Arts of Liège; Liège, Belgium; I had 5 works included in this exhibition which featured artists from 22 Countries on 5 continents. Exhibition, refereed, completed 03/2013.
  • Homespun Technologies; Invited Themed Portfolio; PRINT:MKE, SGC International Printmaking Conference; University of Wisconsin - Milwaukee; Peck School of the Arts; Milwaukee, Wisconsin USA; organized by Erik Brunvand. Exhibition, refereed, completed 03/2013.
  • East/West; A traveling printmaking portfolio exhibition representing work from 2 artists from each of the 50 states; Millersville University; Sykes Gallery; Millersville Pennsylvania; Utah State University; The Chase Fine Arts Center; Logan Utah; UMass Dartmouth; University Art Gallery; North Dartmouth, Massachusetts. Exhibition, refereed, completed 02/2013.
  • 2013 Clemson National Print and Drawing Exhibition; Lee Gallery, Clemson University; Clemson, South Carolina. Exhibition, refereed, completed 02/2013.
  • Forgotten Histories and Mechanical Memories, Solo Show Abercrombie Gallery; McNeese State University; Lake Charles, Louisiana Exhibition, completed 01/2013.
  • Matricák / Matrices 2012; 8th International Exhibition of Small Form Electrographic Art; Próféta Gallery; Budai Castle in MTA Jakobinus Hall Budapest Hungary. Exhibition, refereed, in progress 12/2012.
  • Delusion: Society for Photographic Education - Southwest Chapter Members Show; SPE Southwest Chapter Conference; Fort Collins Colorado. Exhibition, completed 11/03/2012.
  • Reverse Watching; Invited Portfolio; Mid America Print Council Conference 2012; Southeast Missouri State University Cape Girardeau, Missouri USA; Organized by Justin Diggle, University of Utah. Exhibition, refereed, completed 11/2012.
  • Wallpaper; Invited Portfolio; Mid America Print Council Conference 2012; Southeast Missouri State University Cape Girardeau, Missouri USA; Organized by Shelley Gipson, Arkansas State University. Exhibition, refereed, completed 11/2012.
  • Titanic 100: “Strong Water” International Exhibition Ventspils Latvia; October 10 - November 11, 2012; Klaipėdos Galerija; Klaipeda Lithuania; September 6 - October 6 2012; Oforta Ģilde; Rīga Latvia; April 14 - May 9, 2012 This exhibition features the work of 60 artists from 20 countries. Exhibition curator - Latvian artist Nele Zirnite - Žukauskaitė. Exhibition, refereed, completed 11/2012.
  • First Novosibirsk Graphic Art Triennial; Novosibirsk State Art Museum Novosibirsk, Russia Exhibition, refereed, completed 10/28/2012.
  • Unlived Histories; Curated by Lauren Turner; Flanders Gallery; Raleigh, North Carolina, USA Exhibition, refereed, completed 10/28/2012.
    http://www.flandersartgallery.com/exhibition/unliv...
  • Equivalents: 17th Annual Photo Exhibition; Photo Center NW; Seattle Washington, USA. Exhibition, refereed, completed 09/18/2012.
  • Alternative Realities; PhotoPlace Gallery ; Middlebury Vermont, USA Exhibition, refereed, completed 09/01/2012.
    http://www.vtphotoworkplace.com/id165.html
  • The Seventh International Triennial of Graphic Art Bitola; N.I. Institute and Museum; Bitola, Macedonia; 2012 This is the largest art event in Macedonia and features work by artists from nearly 70 countries. Exhibition, completed 07/2012.
  • The Faculty Show; Utah Museum of FIne Art - University of Utah Salt Lake City, Utah USA. Exhibition, completed 05/2012.
  • 25th Annual NcNeese National Works on Paper Exhibition; Sherman FIne Arts Center Annex Grand Gallery; McNeese State University; Lake Charles, Louisiana USA. (This exhibition led to an invitation for a solo exhibition and traveling to be an invited artist in 2013.) Exhibition, refereed, completed 05/2012.
  • The Third Bangkok Triennial International Print and Drawing Exhibition Bangkok Art and Culture Center; Bangkok,Thailand; May - June 2012; Sanamchandra Art Gallery, Silpakorn University; Nakhon Pathorn Province, Thailand;January - February 2013; Chiang Mai University Art Center, Chiang Mai Province, Thailand; June 2013 This exhibition consisted of over 200 prints and drawings representing the work of artists from over 60 countries Exhibition, refereed, in progress 05/2012.
  • Southern Graphics Council International; Traveling Exhibition This exhibition is organized every three years and premiered at the SGCI Conference in New Orleans at Loyola University New Orleans; February - March 2012 This exhibition will travel in the United States through the winter of 2015 and then will travel internationally from 2015 - 2017. Currently scheduled exhibitions: Texas Tech University; Landmark Arts - The Galleries of the School of Art; Lubbock Texas; January - February 2015 University of North Carolina at Pembroke; The A.D. Gallery; Pembroke North Carolina; January - February 2013 Southeastern Louisiana University; Southeastern Contemporary Art Gallery; Hammond Louisiana; September - October 2012 Exhibition, refereed, in progress 03/2012.
  • 2012 Delta National Small Prints Exhibition; Bradbury Gallery, Arkansas State University; Jonesboro, AK. Exhibition, refereed, completed 02/2012.
  • Good Fortune: Year of the Rabbit; Art Access Gallery Salt Lake City, Utah USA; October - November 2011 Exhibition, completed 11/2011.
  • The “Iosif Iser” International Contemporary Engraving Biennial Exhibition; The “Ion Ionescu-Quintus” Art Museum; Romania Exhibition, completed 11/2011.
  • Second Kulisiewicz International Graphic Arts Triennial IMPRINT 2011; Kubicki Arcades, Royal Castle, Warsaw, Poland Exhibition, refereed, completed 10/2011.
  • Small Works; Phillips Gallery, Dibble Gallery; Salt Lake City, Utah USA; Three Person Show (10 works exhibited) Exhibition, completed 09/2011.
  • East/West; A printmaking portfolio representing work from 2 artists from each of the 50 states Organized by: Brian Kelly, University of Louisiana at Lafayette Exhibitions and scheduled exhibitions: Millersville University; Sykes Gallery; Millersville Pennsylvania; Summer 2013 (scheduled) Utah State University; The Chase Fine Arts Center; Logan Utah; March - April 2013 (scheduled) UMass Dartmouth; University Art Gallery; North Dartmouth, Massachusetts; February - March 2013 (scheduled) Old Dominion University; The Baron and Ellin Gordon Galleries; Norfolk Virginia; October - November 2012 (scheduled) Purdue University, West Gallert, Rueff Galleries; Lafayette Indiana; September - October 2012 University of Wyoming, Visual Arts Gallery; Laramie Wyoming; August - September 2012 University of Colorado; Boulder, Colorado; 2012 University of Louisiana at Lafayette; Deans Gallery; Lafayette Louisiana; May - July 2012 Nicholls State University; Ameen Gallery; Thibodaux Louisiana; January 2012 University of Central Florida; Orlando Florida; November - December 2011 Central Connecticut State University; CCSU Art Gallery; New Britain Connecticut; September - October 2011 Exhibition, refereed, in progress 07/2011.
  • PhotoPlace Open, 2011; PhotoPlace Gallery; Middlebury VT USA; (3 works selected) Curator: Alison Nordstrom, George Eastman House Exhibition, refereed, completed 05/2011.
  • 3rd Guanlan International Print Biennial, China 2011; Guanlan Original Printmaking Base; Shenzhen China, May-June 2011 Exhibition, refereed, completed 05/2011.
  • 8th International Biennale of Contemporary Prints; Cabinet des Estampes et des Dessins, Ville de Liège; (7 works exhibited) Liège, Belgium Exhibition, refereed, completed 03/2011.
  • Hong Kong Graphics Art Fiesta 2010: Convergence Divergence - An International Prints Exchange Exhibition (with SaltGrass Printmakers); Exhibition Hall, Hong Kong City Hall; Hong Kong; Dec 21 2010 – 31 Jan 31, 2011 Exhibition, in progress 12/21/2010.
  • Bookopolis; Memory Palaces Asheville BookWorks; Asheville, NC; September 24 - December 10, 2010 Exhibition, refereed, completed 12/2010.
  • Fata Morgana; International Art Exhibition; Meno parkas; Kaunas, Lithuania; December 17, 2010 – January 20, 2011 Exhibition, refereed, completed 12/2010.
    http://www.kamane.lt/en/naujienos/daile/dnaujiena2...
  • Miniprint Finland 2010; Seventh International Miniprint Triennial Lahti Art Museum; Lahti, Finland; November 26, 2010 – January 30, 2011 Exhibition, refereed, in progress 11/2010.
  • Second International Biennale of Graphic Digital Arts - Gdynia 2010 Museum of the City of Gdynia; Gdynia, Poland; October 2 - 31, 2010 Exhibition, refereed, completed 10/2010.
  • Mechanical Brides of the Uncanny - Solo Show; Polyester Gallery; Omaha, NE; June 4 - August 1, 2010 Exhibition, completed 08/2010.
  • Anatomy/Anomaly - Theme Portfolio Exhibition (Curated by Shelley Gipson; Arkansas State University); Southern Graphics Council - Mark:Remarque Conference; Pennsylvania Academy of Fine Art; Philadelphia, PA Exhibition, completed 03/2010.
  • International Print Triennial - Oldenberg; Horst-Janssen-Museum; Oldenberg, Germany Exhibition, refereed, completed 02/2010.
  • Mechanical Brides of the Uncanny; Impact 6 International Multidisciplinary Printmaking Conference; Centre for Fine Print Research, University of the West of England, Bristol UK Exhibition, completed 09/19/2009.
  • Mechanical Brides of the Uncanny (solo show); University of Notre Dame; South Bend, IN Exhibition, completed 08/30/2009.
  • 2009 Annual Statewide Exhibit (Juror’s Award Winner) Rio Gallery, Utah Arts Council; Salt Lake City, UT Exhibition, completed 2009.
  • Open Portfolio Exhibition; Southern Graphics Council, Global Implications Conference; Chicago, IL Exhibition, completed 2009.
  • Body Pulses: Third Annual International Juried Exhibition (First Place Award Winner); Plates to Pixels - The Pacific Northwest Center for Photography; Portland, OR / On-line Exhibition, completed 2009.
    http://www.platestopixels.com/NOV-DEC-2009.htm
  • Recent Work; Phillips Gallery, Dibble Gallery; Salt Lake City, UT Exhibition, completed 2009.
  • Your Salt Lake County Art Collection (Exhibition and reception for recent acquisitions); Salt Lake County Government Center Salt Lake City, Utah Exhibition, completed 2009.
  • Nativity Revisited: A Contemporary Interpretation; Snow College; Humanities and Arts Building; Ephraim, Utah Exhibition, completed 2009.
  • Art Now; Faculty Show; Utah Museum of Fine Arts; University of Utah; Salt Lake City, UT Exhibition, completed 2009.
  • Cinqo de Saltgrass, Saltgrass Printmakers, Salt Lake City, UT; Invited Group Show Exhibition, completed 12/2008.
  • Plates to Pixels, The Pacific Northwest Center for Photography, Portland, OR / On-line 2 Person Show Exhibition, completed 10/2008.
    http://www.platestopixels.com/oct-november2008.htm
  • Cat: A Portfolio of Original Prints, Ken Sander’s Rare Books, Salt Lake City, UT; Invited Group Show Exhibition, completed 08/2008.
  • New and Improved, Los Angeles Center for Digital Art, Los Angeles, CA; Invited Group Show Exhibition, completed 06/2008.
    http://www.lacda.com/exhibits/new.html
  • Print Parallels, CityScape Gallery, Vancouver, B.C., Canada; Invited Group Show Exhibition, completed 02/2008.

Presentations

  • Visiting Guest Lecturer (via Zoom) University of Nevada, Las Vegas. History of Photography. Hikmet Loe instructor. I was invited to deliver that day’s lecture on the history of fictional and manipulated photography. My presentation challenged students by intertwining my own fictional work with historical examples from the canon of photography. Presentation, Presented, 03/20/2022.
  • UAAC 2020 National Conference. (University Arts Association of Canada) - This is the Canadian version of CAA. Presentation: Joining Space and Time in the Art of Relationship - The Work of Sylvia Grace Borda. Panel: Learning to Use Meaningful Action Research and Community Engagement to Produce Canadian Art and Histories. Oct. 17, 2020. Presentation, Presented, 10/17/2020.
    https://uaac-aauc.com/2020/g6.html
  • "Conversations on Shifting Perspectives" with Sylvia Grace Borda. Guest interviewer. A presentation on the book Shifting Perspectives by Sylvia Grace Borda newly published by Surrey Gallery, British Columbia, Canada (Vancouver area). October 3, 2020. I had also been asked to pre-review the book and provide a blurb for the cover. Invited Talk/Keynote, Presented, 10/03/2020.
    https://www.youtube.com/watch?v=MRUAczYxW9Q&featur...
  • Visiting Artist and Invited Guest Lecture and Panel: Is Photography Dead. Utah State University; Visiting Artist. October 9, 2019. Lecture, Panel discussion with Amy Jorgensen and Kim Raff, with student critiques. Invited Talk/Keynote, Presented, 10/09/2019.
  • Utah Museum of Fine Arts DEMARCATION Artist Talk; The Community Behind the Photography Portfolio; September 25, 1019. Invited panel discussion with Edward Bateman, Amy Jorgensen, Marnie Powers-Torrey and Nancy Rivera discussing the DEMARCATION exhibition on display at the UMFA. Invited Talk/Keynote, Presented, 09/25/2019.
    https://umfa.utah.edu/node/440
  • Snow College, Utah - Visiting Artist with Marnie Powers-Torrey; September 11, 1019. Invited Talk/Keynote, Presented, 09/11/2019.
  • CONFLUX: Coming Together in Conversation. SPE (Society for Photographic Education) West/Southwest 2018 Conference. University of New Mexico, Albuquerque, New Mexico. November 3, 2018 Presenter: Video: The Gorilla in the Room (Roundtable Discussion). Presentation, Presented, 11/03/2018.
    https://www.spenational.org/conferences/conflux/sp...
  • Edward Bateman: Visiting Photographer & Digital Artist. Colorado College; public lecture. Presentation, Presented, 04/25/2018.
  • 2016 Lumen Prize Panel; Hackney House; London, U.K. Presentation/lecture on my research: "The Magic Lantern & Digital Art as Phantasmagoria"; I was invited to be one of four presenters in a panel on Collecting and Curating in the Digital Age moderated by Rachel Falconer, coordinator of the creative technology prototyping and research initiative Goldsmiths Digital at Goldsmiths University. Other presenters: Victoria al-Din (Artist Liaison at Gazeli Art House), Carla Gannis (Pratt Institute), and Poppy Simpson (Head of Content and Curation at Meural). Invited Talk/Keynote, Presented, 09/29/2016.
    https://lumenprize.com/blog
  • Snow College, Utah - Visiting Artist Lecture. Presentation, Presented, 04/2016.
  • Speaker – Imagemaker Presentation: "Forgotten Histories and Mechanical Memories: Constructing the Past"; SPE (Society for Photographic Education) 2016 National Conference – Constructed Realities Las Vegas, Nevada. Conference Paper, Refereed, Presented, 03/11/2016.
    https://www.spenational.org/conferences/2016-spe-n...
  • SPE (Society for Photographic Education) 2016 National Conference – Constructed Realities; Las Vegas, Nevada Speaker – Imagemaker Presentation: "Forgotten Histories and Mechanical Memories: Constructing the Past" This conference accepts approximately twenty percent of proposals for speakers. Conference Paper, Refereed, Presented, 03/11/2016.
  • 2014 Lumen Prize Panel; School of Visual Arts; New York City, New York. Presentation/lecture on my research. I was invited to be one of four presenters in a panel moderated by Bruce Wands, Chair, MFA Computer Art as part of the Lumen Prize Exhibition in New York. Invited Talk/Keynote, Presented, 12/03/2014.
  • SPE (Society for Photographic Education) Southwest 2014 National Conference – A Collective Vision. Speaker – Image Maker Presentation: Forgotten Histories & Mechanical Memories. A presentation on my research. Salt Lake Community College; Salt Lake City, UT; October 17, 2014. Conference Paper, Refereed, Presented, 10/17/2014.
  • Lumen Prize Masters Seminar on Digital Art; Cardiff School of Art & Design, Cardiff Metropolitan University, Wales, United Kingdom. Presentation/lecture on my research; October 8, 2014 I was invited to be one of four presenters in a seminar moderated by Dr. Nick Lambert of the University of London. Invited Talk/Keynote, Presented, 10/08/2014.
  • F295 Symposium: Photography Beyond Technique. Invited Speaker/Panel Discussion; Forgotten Histories & Mechanical Memories. Presentation on my research. Pittsburgh PA; May 29-June 1, 2014 I was one of eight invited speakers at this national symposium that examines how artists make decisions integrating process and content in the creation of their work. Invited Talk/Keynote, Presented, 05/30/2014.
  • Visiting artist talk; East London Printmakers; London, United Kingdom. East London Printmakers is an independent, not for profit arts organization representing over 250 members and attracting over one thousand visitors annually. They conduct workshops and have a residency program. Invited Talk/Keynote, Presented, 03/12/2013.
  • Visiting Artist Lecture: Tuminello Lecture Series; Forgotten Histories and Mechanical Memories; McNeese State University; Lake Charles, Louisiana . Invited Talk/Keynote, Presented, 01/30/2013.
  • Invited Guest Lecture Kaunas Faculty of Arts of Vilnius Academy of Arts, Kaunas, Lithuania Title: "The Virtual and the Tangible". Invited Talk/Keynote, Presented, 09/29/2010.
  • Utah Valley University - Visiting Artist Lecture; Happenings in Humanities Lecture Series. Invited Talk/Keynote, Presented, 09/22/2009.
  • Southern Graphics Council International Conference – Global Implications (Chicago, IL) Printmaking with Extreme Technology; Presenter and Panel Discussion. Conference Paper, Presented, 03/27/2009.
    http://www2.colum.edu/sgc/Panels.html
  • Utah Valley University - Visiting Artist Lecture; Art and Visual Communications Program. Invited Talk/Keynote, Presented, 2009.
  • Brigham Young University, Visiting Artist Lecture, Photography Program. Invited Talk/Keynote, Presented, 10/06/2008.
  • Lewis and Alice: Constructing Imagery of Transformation; presented at Metamorphoses, An International Colloquium on Narrative and Folklore College of Humanities, University of Utah, Language and Literature Department. Conference Paper, Presented, 10/04/2008.

Grants, Contracts & Research Gifts

  • Science Rends the Veil; Reimagining the Historical Document. PI: Edward Bateman. University Research Committee (URC) Faculty Research & Creative Grant;, 05/09/2012 - present. Total project budget to date: $1,794.00

Copyrights

  • Mechanical Brides of the Uncanny. 2009. Book of my art published by Nazraeli Press.

Geographical Regions of Interest

  • Belgium
    In 2013, I traveled to Liege Belgium for the 9th International Biennale of Contemporary Prints; Cabinet des Estampes et des Dessins, Ville de Liège at the Museum of Fine Arts of Liège. This was the second time which I was included in this exhibition.
  • Lithuania
    In the Fall of 2010, I was invited to give a public lecture in Kaunas Lithuania. In the Summer of 2011, I was a guest professor for the Summer Practice; Kaunas Faculty of Arts of Vilnius Academy of Arts, Kaunas, Lithuania.
  • Poland
    I have exhibited in Poland numerous times as well as traveled there for the opening reception of the Second International Biennale of Graphic Digital Arts - Gdynia 2010. In 2013, I served as a juror for the II International Digital Media Triennial - Radom 2013 at Wydział Sztuki Politechniki Radomskiej (Department of Art University of Radom); Radom Poland.

Publications

  • Robert Hirsch & Edward Bateman; Assoc. Editor (2022). Light and Lens : Thinking About Photography in the Digital Age. Fourth Edition. (pp. 453). Routledge. Published, 11/2022.
    https://www.routledge.com/Light-and-Lens-Thinking-...
  • Edward Bateman & UMFA Associate Curator Luke Kelly (2019). Salt 14: Yang Yongliang. Two Perspectives on the Work of Yang Yongliang. Utah Museum of Fine Art; University of Utah. 2. Published, 02/2019.
  • Jorgensen, Amy & Bateman, Edward (2018). DE | MARCATION; A SURVEY OF CONTEMPORARY PHOTOGRAPHY IN UTAH. (pp. 26). Granary Arts / Red Buttte Press. Published, 11/2018.
    https://www.granaryarts.org/publications-demarcati...
  • Uyttersprot, Jean Michel & Delahaut, Sabine (2018). ACTUEL, L'ESTAMPE CONTEMPORAINE. (pp. 4). Vol. 12. Editions K1L. Published, 06/2018.
    http://www.actueldelestampe.com/actuel-ndeg12.html
  • Barbara London & Jim Stone (2018). A Short Course in Photography; Digital. Fourth Edition. (pp. 233). Pearson. Published, 02/16/2018.
  • Robert Hirsch (2017). Photographic Possibilities. Fourth Edition. (pp. 7-8). Taylor and Francis. Published, 09/27/2017.
  • Robert Hirsch, Dr. Andrew Hershberger- Project Editor, Edward Bateman- Assoc. Editor & Mark Jacobs- Assoc. Editor (2017). Seizing the Light; A Social and Aesthetic History of Photography. (pp. 545-569). Focal Press. Published, 04/27/2017.
  • Jeff Moorfoot & Edward Bateman; Assoc. Editor (2017). BETA: Developments in Photography; No. 22. Science Rends the Veil. [Website/Blog] URL https://issuu.com/betadevelopmentsinphotography/docs/beta_22_lo_res. Published, 01/2017.
    https://issuu.com/betadevelopmentsinphotography/do...
  • IMPACT China; The Post Print Age Printmaking Today; Vol. 24 No. 4 Winter 2015; ISNN 0960 9253 Conference review in the authorized journal of the Royal Society of Painter-Printmakers; United Kingdom.. Published, 11/2015.
  • Multiple[x] Complejidad y Sostenibilidad; Multiple[x] Complexity and Sustainability Authors: AAVV Coordinators: Ana Soler, Anne Heyvaert and Kako Castro Editorial Committee: Ana Soler Baena, Anne Heyvaert, José María Rodríguez Prada, Sheila and Tatiana Pazos Lameiro Date of Issue: September 2015 ISBN 13: 978-84-16033-78-2 Edit: Group DX5 / Comanegra Distributed: Comanegra Language: Spanish Multiple [x] Complexity and Sustainability is the result of ... thought developed in the last three years by the research group DX5 digital & graphic art research at the University of Vigo. In this period it has been developing a project funded by the Ministry of Science and Innovation, which delves into two concepts that we believe exist in contemporary art in a very interesting way and have, in our view, an important future perspective. My work was published in the chapter De Acuerdo ¿Entonces, Qué es Estampación? (Okay, So What is Printmaking?) written by U.K. author Richard Noyce describing my work and practice with a published image and text. Additional translation into English. Published, 09/2015.
  • Wilks, Brady. Alternative Photographic Processes: evidence of the photographers hand. New York and London: Focal Press, 2015. Print. ISBN 978-1-138-80868-3 Six images of my work published on two pages with accompanying text.. Published, 09/2015.
  • Hirsch, Robert. Exploring Color Photography; from film to pixels (sixth edition). New York and London: Focal Press, 2015. Print. ISBN 978-0-415-73095-2 One full page image of my work published with accompanying text on facing page. . Published, 06/2015.
  • Contemporary American Printmakers; E. Ashley Rooney and Stephanie Standish 2 pages with 4 images published on my work; Schiffer Publishing, Ltd.; ISBN 978-0-7643-4691-0; 2014 This book is a survey of contemporary artists and studios from across the U.S. who work in the field of printmaking.. Published, 11/2014.
  • From the exhibition catalogu of the 9th Biennale Internationale de Gravure Contemporaine in Liege, Belgium. Page 21. Empreintes Digitales In contrast to the approach of Gross would be that of Edward Bateman. The material basis of his compositions is completely a work culture, rather than of nature, since it uses old photographs. The artist digitizes and creates scenes as 3D constructions. His series, Spectral Devices, refers to the practice of Spiritualism, which was very popular at the turn of the nineteenth century. In each we see a man standing next to a strange machine in the middle of which raises a ghostly figure. The spectral device is made from pieces of bourgeois furniture (table, sewing machine ... ) diverted from their purpose. In another image (Memento, 2011), three skeletons surrounding a large photograph, the size of an adult (or its bones), with the print upright like a wall in a house of cards. It is a full length portrait of three children in carnival costumes. The size ratio between characters (in the two groups, the young and the adults) accentuates the suggestion that the skeletons are the future of the children. The digital image refers not only to the first age of photography, with its sepia tones, but also to the well established genre of Vanities in the pictorial tradition. The festival of life lasts for but a moment. It is apparent, in this digital composition, that an impressive mastery allows for the creation of new possibilities, producing an image that is a highly realistic representation, with no equivalent in reality which reiterates that ultimately, everything is illusion. (Translated from the French). Published, 03/2013.
  • The Muse showcase; Diffusion Magazine Volume IV – Honorable Mention; Published in Fall 2012 ISBN 978-0-9844432-2-2 and as a limited edition hardcover book: ISBN 978-0-9844432-3-9. Published, 10/2012.
  • Mechanics of Invention; Printmaking Today; Vol. 21 No. 1 Spring 2012; Richard Noyce, author; United Kingdom Printmaking Today is the authorized journal of the Royal Society of Painter and Printmakers.Richard Noyce is the author of four books on international printmaking and the arts in Poland. This article features a two-page profile of my work with six images. ISNN 0960 9253. Published, 01/2012.
  • Exhibition catalog: IMPRINT 2011; Second Kulisiewicz International Graphic Arts Triennial. ISBN 978-83-61558-73-6 Full page image with citation. Published, 10/2011.
  • Exhibition catalog: 2011 Guanlan International Print Biennial; A Collection of Prints. ISBN 978-7-5039-5069-8 Full page image with citation. Published, 05/2011.
  • Exhibition Catalogue: 8th International Biennale of Contemporary Prints; Cabinet des Estampes et des Dessins, Ville de Liège; Liège, Belgium. Full page image with citations. Published, 03/2011.
  • La Fotografia; Actual-Digital 142; Article/Portfolio: "Edward Bateman: Automatons" - 6 pages; Barcelona, Spain. Published, 12/2010.
    http://web.la-fotografia.com/altas/142/
  • Exhibition catalog: Bookopolis: Memory Palaces; Asheville BookWorks; Asheville, NC; Features a full page of my work. Published, 11/2010.
  • Diffusion: Unconventional Photography - magazine "Body Pulses – Award Winners; Third Annual Juried Exhibition" This article features a full page of my work (First Prize Winner) with a statement by the juror. Published, 07/2010.
    http://onetwelvepublishing.com/wordpress/about-2/v...
  • Western Humanities Review; Hybrid Collaborative Issue; 5 Published images; University of Utah English Dept. Published, 06/2010.
  • Exhibition catalog: Grafik Ohne Grenzen; International print Network 2010 – Oldenberg (Germany); Features a full page of my work with essay reference to my work by exhibition organizers. Published, 02/2010.
  • 2 images Published; Western Humanities Review, University of Utah English Dept. Published, 06/2008.
  • 15 Bytes - Interview/Discussion - Feature: Artistic Temperments A First Look at Second Life, May 2008. Published, 05/2008.
    http://www.artistsofutah.org/15bytes/08may/page6.h...