CATHERINE MAYES portrait
  • Musicology Area Head
  • Assistant Professor, School Of Music
801-585-6193

Languages

  • French, fluent.
    Native speaker.
  • German, fluent.
  • Hungarian, basic.

Geographical Regions of Interest

  • Eastern Europe
  • Western Europe

Publications

  • “Introduction,” in Consuming Music: Individuals, Institutions, Communities, 1730–1830. In press, 12/2016.
  • “In Vienna ‘Only Waltzes Get Printed’: The Decline and Transformation of the Contredanse Hongroise in the Early Nineteenth Century,” in Consuming Music: Individuals, Institutions, Communities, 1730–1830. In press, 12/2016.
  • Catherine Mayes and Emily H. Green, eds., Consuming Music: Individuals, Institutions, Communities, 1730-1830, Eastman Studies in Music no. 138 (Rochester: University of Rochester Press, forthcoming 2017). In press, 12/2016.
  • “Exoticism,” in The Cambridge Haydn Encyclopedia, ed. Caryl Clark and Sarah Day-O’Connell. Submitted, 08/2015.
  • “Nationalism/Cosmopolitanism,” in The Cambridge Haydn Encyclopedia, ed. Caryl Clark and Sarah Day-O’Connell. Submitted, 08/2015.
  • "Turkish and Hungarian-Gypsy Styles," Chapter 7 of The Oxford Handbook of Topic Theory, ed. Danuta Mirka (Oxford: Oxford University Press, 2014), 214-237. Published, 10/2014.
  • "Eastern European National Music as Concept and Commodity at the Turn of the Nineteenth Century," Music & Letters 95/1 (Feb. 2014): 70-91. Published, 02/2014.
  • “Consuming Music, Commodifying Sound, 1750–1850,” Eighteenth-Century Music 10/2 (September 2013): 314–316. Published, 09/2013.
  • "Reconsidering an Early Exoticism: Viennese Adaptations of Hungarian-Gypsy Music around 1800," Eighteenth-Century Music 6/2 (September 2009): 161–181. Published, 09/2009.