- Bachelor of Music, Music Performance, University of Cincinnati College-Conservatory of Music
- Master of Fine Arts, Performer/Composer, California Institute for the Arts
- PhD, Music Composition, University of Utah. Project: "Chester, NJ" for full orchestra and electronics, and, The chromatic scale and other iterative loops in Beat Furrer's Konzert fur Klavier and Orchester
Devin Maxwell, PhD, is a composer, percussionist, and music technology entrepreneur. His chamber music has been described as “amiably strident…clusters hammered insistently” by the New York Times and orchestral works “a beautiful puzzle, … fitting between plucks and pedals that build pyramid melodies” by the American Record Guide. As a composer, he has recently been commissioned by MMM… (Tokyo), Bent Frequency (Atlanta), Ensemble Dedalus (France), the Deer Valley Music Festival Emerging Quartets and Composers for the Skyros Quartet (Seattle) and featured at The Stone (NYC), Abron’s Art Center (NYC), the Ontological Theater (NYC), BLIM (Vancouver), ARTSaha (Omaha), the Wulf (Los Angeles), Monkeytown (NYC), Dartmouth College, NYU, Columbia University, Kenyon College, Boston Conservatory, Tage Aktueller Music (Germany), SEAMUS, ICMC-SMC (Greece), Ostrava Days (Czech Republic), among others. Awards for composition include the Nief-Norf Composition Prize, the Leroy Robertson Prize, “Best Experimental Film” New York Independent Film Festival, New Music USA/Commissioning Music USA and an Honorable Mention at the American Composer’s Orchestra 2013 Underwood Readings. His creative work is critically examined in the book Boring, Formless Nonsense; Experimental Music and the Aesthetics of Failure by Eldritch Priest, and the 2012 journal Postmodern Culture. Maxwell has collaborated with choreographer Jessica Gaynor Dance (NYC), filmmaker Rollin Hunt (Los Angeles), graphic designer Phillip Niemeyer (Austin), photographer Svavar Jónatansson (Iceland), clarinetist Katie Porter, and violist/songwriter Anni Rossi (NYC).
As a percussionist, Maxwell’s eclectic output includes performing in venues and festivals including Carnegie Hall, Lincoln Center, Columbia University, SOUND at the Schindler House, LA Philharmonic’s Green Umbrella Series, Roulette, Issue Project Room, St Marks Theater (NYC), The Armory, The Kitchen, Joe’s Pub, Monolith, Mercury Lounge, South by Southwest, String Theory, CMJ and The Stone, among others. He has recorded with record labels including 4AD, Polyvinyl, Parlophone, Cantaloupe Records, and Mode and can be heard on music for TV, film, and video games including Grand Theft Auto IV, The Independent Film Channel, Grey’s Anatomy, and BBC. An avid supporter of new music, Maxwell has commissioned and performed dozens of solo or chamber compositions throughout the course of his career.
In addition to composing and performing, Maxwell co-founded the LoudLouderLoudest Music Production Company in Brooklyn, NY, and was responsible for many firsts in wireless music and mobile game sound for clients such as Sony, Warner Music Group, Universal Music Group, Atlantic Records, HBO and Disney. While in New York, he also co-founded Listen/Space, a venue for new music which now exists as a music commissioning organization located in Park City, Utah.
He is currently Associate Instructor for electronic music composition at the University of Utah, Applied Instructor of composition and percussion at Westminster College, Executive Director of the Louis Moreau Institute for new music in New Orleans, Chair of the VU Symposium for Experimental, Electronic and Improvised Music in Park City, and composition instructor for Utah Youth Orchestras and Ensemble’s Young Composers Project. Maxwell is a graduate of University of Cincinnati College-Conservatory of Music, California Institute of the Arts, and the University of Utah School of Music. His creative work is published by Good Child Music New York and Éditions musique SISYPHE.